{"id":5832,"date":"2018-12-20T12:55:40","date_gmt":"2018-12-20T20:55:40","guid":{"rendered":"http:\/\/core.humanities.uci.edu\/?page_id=5832"},"modified":"2019-02-25T11:14:06","modified_gmt":"2019-02-25T19:14:06","slug":"winter-comparative-analysis-source-guide","status":"publish","type":"page","link":"https:\/\/core.humanities.uci.edu\/index.php\/winter-2\/winter-comparative-analysis-source-guide\/","title":{"rendered":"Winter: Comparative Analysis Source Guide"},"content":{"rendered":"<p>This bibliography of primary and secondary sources has been compiled to aid students in writing\u00a0<a href=\"https:\/\/core.humanities.uci.edu\/index.php\/winter\/winter-essay-assignment-4\/\">Essay 4: Comparative Analysis of <em>The Tempest<\/em> and an Adaptation.\u00a0<\/a>The following list of adaptations of <em>The Tempest<\/em>, while extensive, is by no means exhaustive. Students are encouraged to seek out primary sources in a range of genres that reimagine the original play. The list of scholarly sources below, compiled by Professor Jayne Lewis, provides a starting place for your research into academic interpretations of the play. This assignment, however, will require that you seek out more specific secondary sources using <a href=\"https:\/\/guides.lib.uci.edu\/humcore\/tempest\">UCI Libraries finding aids and scholarly databases<\/a>.<\/p>\n<p>Planning to conduct online research from a location off-campus? Be sure to install the free <a href=\"https:\/\/www.oit.uci.edu\/help\/vpn\/?target=software-vpn\">VPN client software<\/a> on your computer or phone and learn <a href=\"https:\/\/www.lib.uci.edu\/connect\">how to use the application<\/a>.<\/p>\n<p>Materials labelled &#8220;on reserve at Langson Library&#8221; can be checked out for 2 hours from the Langson Library <a href=\"https:\/\/www.lib.uci.edu\/sites\/all\/tour\/images\/ll2-checkout.jpg\">check-out desk<\/a>.<\/p>\n<table class=\"table table-responsive;\" style=\"border-color: #000000;height: 179px\" width=\"820\">\n<tbody>\n<tr id=\"objects\" style=\"background-color: #e5e5e5\">\n<td>Primary Sources: Drama (Playscripts)<\/td>\n<td>Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Aim\u00e9 C\u00e9saire,\u00a0<em>A Tempest<\/em> (1969)<\/td>\n<td style=\"text-align: left;vertical-align: top\">UCI Bookstore<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">John Dryden and William Davenant, <em>The Enchanted Island<\/em> (1667\/70)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/archive.org\/details\/enchantedislando00noyeiala\/page\/n5\">archive.org<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Percy MacKaye,\u00a0<em>Caliban by the Yellow Sands<\/em> (1916)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/archive.org\/details\/calibanbyyellow02mackgoog\/page\/n6\">archive.org<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Ernest Renan,\u00a0<em>Caliban: A Philosophical Drama Continuing &#8220;The Tempest&#8221; of William Shakespeare<\/em> (1878)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/books.google.com\/books?id=gXeVbzolGUEC&amp;pg=PA3#v=onepage&amp;q&amp;f=false\">Google Books<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Drama (Staged Productions)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Contemporary Legend Theatre, Taipei,\u00a0<em>The Tempest [Baofengyu]\u00a0<\/em>(2004)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Performance video (available with bilingual subtitles) at <a href=\"http:\/\/shakespeare.digital.ntu.edu.tw\/shakespeare\/view_record.php?Language=en&amp;Type=p&amp;rid=CLT2004TEM\">MIT Global Shakespeares<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Mokwha Repertory Company, Korea,\u00a0<em>The Tempest<\/em> (2011\/15)<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"http:\/\/globalshakespeares.mit.edu\/tempest-oh-tae-suk-2011\/\" target=\"_blank\" rel=\"noopener\"><span class=\"m_8764464590739172395s2\">Info<\/span><\/a>\u00a0and\u00a0<a href=\"https:\/\/vimeo.com\/187093150\" target=\"_blank\" rel=\"noopener\"><span class=\"m_8764464590739172395s2\">performance video available with English subtitles<\/span><\/a>) at MIT Global Shakespeares<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Royal Shakespeare Company, Stratford-upon-Avon, <em>The Tempest<\/em> (2016)<\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p><span class=\"m_8764464590739172395s2\">Performance video at <a href=\"https:\/\/uci.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma991034851165604701&amp;context=L&amp;vid=01CDL_IRV_INST:UCI&amp;search_scope=MyInstitution&amp;tab=LibraryCatalog&amp;lang=en\">Digital Theatre+ via the library<\/a> (Note: If you are having trouble accessing the full video, even on the campus network, try using the link near the bottom of the page, or try clearing your browser&#8217;s cookies)<\/span><\/p>\n<p>Screening 7pm Jan. 31, HIB 100<\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Films<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Jack Bender (director)<em>, The Tempest<\/em> (1998)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Available on <a href=\"https:\/\/youtu.be\/a__7n1YMqG0\">YouTube<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Peter Greenaway (director),\u00a0<em>Prospero&#8217;s Books<\/em> (1991)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Multimedia Resources Center (MRC)\u00a0<a href=\"https:\/\/uci.primo.exlibrisgroup.com\/discovery\/fulldisplay?docid=alma991011015059704701&amp;context=L&amp;vid=01CDL_IRV_INST:UCI&amp;search_scope=MyInst_and_CI&amp;isFrbr=true&amp;tab=Everything&amp;lang=en\"><span dir=\"auto\">PN1997.P767 2007<\/span><\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Derek Jarman (director), <em style=\"font-family: inherit;font-size: inherit\">The Tempest<\/em><span style=\"font-family: inherit;font-size: inherit\"> (1979)<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p><a href=\"https:\/\/uci.kanopy.com\/video\/tempest-1\">Kanopy<\/a><\/p>\n<p>Screening 7pm Feb. 12, HG 1070<\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Paul Mazursky (director),\u00a0<em>The Tempest\u00a0<\/em>(1982)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Available to rent on <a href=\"https:\/\/www.youtube.com\/watch?v=YGRZITIHI8w\">YouTube<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Percy Stowe (director),\u00a0<em>The Tempest<\/em> (1908)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Available on <a href=\"https:\/\/www.youtube.com\/watch?v=h6DS46ebhsw\">YouTube<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Julie Taymor (director),\u00a0<em>The Tempest<\/em> (2010)<\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=rw03uCfM0QM\">YouTube<\/a> without closed captions, or <a href=\"https:\/\/drive.google.com\/drive\/folders\/1UsGLQ3x4WXnRW0LCvgJoaPIXLX76Irg_?usp=sharing\">online<\/a> for HumCore students with CC<\/p>\n<p>Screening 7pm Feb. 15, HIB 100<\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">William A. Wellman (director),\u00a0<em>Yellow Sky<\/em> (1948)<\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p><a href=\"https:\/\/drive.google.com\/drive\/folders\/1rYaK_WUUEmxQuartFSdB_usIttODQvji?usp=sharing\">Online<\/a> for HumCore students<\/p>\n<p>Screening 7pm Feb. 6, HG 1070<\/td>\n<\/tr>\n<tr style=\"background-color: #ffffff\">\n<td style=\"text-align: left\">Fred M. Wilcox (director),\u00a0<em>Forbidden Planet<\/em> (1965)<\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p><a href=\"https:\/\/drive.google.com\/drive\/folders\/1VfP63SqRIkkm8XBat-GJsGEcG0PlESPv?usp=sharing\">Online<\/a> for HumCore students. <a href=\"https:\/\/drive.google.com\/file\/d\/1FX6NAiGVSYqwBhZs-INAl9LAc4QeU4Rz\/view?usp=sharing\">Continuity script online<\/a>.<\/p>\n<p>Screening 6pm Feb. 11, HG 1070<\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Graphic Fiction<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Neil Gaiman, <em>The Sandman No. 75: The Tempest <\/em>(1996), available in the reissued collection <em>The Sandman No. 10: The Wake<\/em> (2012)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PN6737.G3 S365 1997<\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Novels and Short Stories<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Margaret Atwood, <em>Hagseed<\/em> (2016)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library PR9199.3.A8 H27 2016<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Benjamin Gorman, <em>Digital Storm: A Science Fiction Reimagining of <\/em>The Tempest (2017)<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"http:\/\/www.notapipepublishing.com\/the-digital-storm-by-benjamin-gorman\/\">Not a Pipe Publishing<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Edgar Allen Poe, &#8220;The Masque of the Red Death&#8221; (1842)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/www.poemuseum.org\/the-masque-of-the-red-death\">Poe Museum<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Jan Siegel, <em>Prospero\u2019s Children<\/em> (2016)<\/td>\n<td style=\"text-align: left;vertical-align: top\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Marina Warner, <em>Indigo, or Mapping the waters<\/em> (1992)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR6073.A7274 I5 1992b<\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Poetry<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">W.H. Auden, \u201cThe Sea and the Mirror\u201d (1944)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR6001.U4 A16 1969<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Edward Brathwaite, \u201cCaliban\u201d in <em>The Arrivants<\/em> (1969)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;4603&#8243;] \/ Website: <a href=\"https:\/\/literature.proquest.com\/toc.do?sourceId=Z000594565&amp;action=new&amp;area=poetry-toc&amp;divLevel=0&amp;queryId=&amp;mapping=toc\">Proquest Literature<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Kamau Brathwaite,\u00a0\u201cLetter Sycorax\u201d in <em>Middle Passages<\/em> (1992)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;4602&#8243;]\u00a0\/ On reserve at Langson Library PR9230.9.B68 M54 1992<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Robert Browning, \u201cCaliban upon Setebos\u201d (1864)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/www.poetryfoundation.org\/poems\/43748\/caliban-upon-setebos\">Poetry Foundation<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">H.D., <em>By Avon River <\/em>(1949)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PS3507.O726 B8 2014<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Ted Hughes, \u201cProspero and Sycorax\u201d in <em>New Selected Poems <\/em>(1995)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR6058.U37 A6 1995<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Ted Hughes, \u201cSetebos\u201d in <em>Birthday Letters<\/em> (1998)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/literature.proquest.com\/toc.do?sourceId=Z000559982&amp;action=new&amp;area=poetry-toc&amp;divLevel=0&amp;queryId=&amp;mapping=toc\">Proquest Literature<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Lemuel Johnson, \u201cCalypso for Caliban\u201d in <em>Highlife for Caliban<\/em> (1995)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;5945&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Taban Lo Liyong, \u201cUncle Tom\u2019s Black Humour\u201d (1971)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;5978&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Walter McDonald, <em>Caliban in Blue and Other Poems<\/em> (1976)<\/td>\n<td style=\"text-align: left;vertical-align: top\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Edwin Morgan, \u201cAriel Freed\u201d in <em>Virtual and Other Realities<\/em> (1997)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/literature.proquest.com\/toc.do?sourceId=Z000134777&amp;action=new&amp;area=poetry-toc&amp;divLevel=0&amp;queryId=&amp;mapping=toc\">Proquest Literature<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">\n<p>Suniti Namjoshi,\u00a0\u201cFrom Caliban\u2019s Notebook\u201d and \u201cSnapshots of Caliban\u201d in <em>Because of India <\/em>(1989)<\/p>\n<p>&#8220;Snapshots of Caliban&#8221; [complete text] in <em>From the Bedside Book of Nightmares<\/em> (1984)<\/td>\n<td style=\"text-align: left;vertical-align: top\">\n<p>[ddownload id=&#8221;2487&#8243;]\u00a0\/ On reserve at Langson Library\u00a0R9499.3.N258 B43 1989<\/p>\n<p>&nbsp;<\/p>\n<p>[ddownload id=&#8221;6132&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Suniti Namjoshi, &#8220;Sycorax&#8221; in<em> Sycorax: New Fables and Poems<\/em> (2006)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;2487&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Nkem Nwankwo, \u201cCaliban to Miranda\u201d (1969)<\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;5965&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Rainer Maria Rilke, \u201cThe Spirit Ariel\u201d (1913)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/German\/Rilkemorepoems.php\">Poetry in Translation<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Percy Blake Shelley, \u201cWith a Guitar. To Jane.\u201d (1822)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Website: <a href=\"https:\/\/www.bartleby.com\/333\/365.html\">Bartleby<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Safiya Sinclair,\u00a0<em>Cannibal<\/em> (2016)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PS3619.I56847 A6 2016<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Theodore Weiss, \u201cCaliban Remembers\u201d (1995) in\u00a0<em>Collected Poems<\/em><\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0<span dir=\"auto\">PS3545.E4735 A6 1987<\/span><\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Television<\/td>\n<td style=\"text-align: left;vertical-align: top\">Location<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Leon Garfield (director)<em>, <\/em>\u201cThe Tempest,\u201d <em>Shakespeare: The Animated Tales<\/em> (1992)<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.youtube.com\/watch?v=kAZKIpWGN_Q\">YouTube<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Murray Golden (director) \u201cRequiem for Methuselah,\u201d Season 3 Episode 19 of <em>Star Trek: The Original Series<\/em> (1969)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Available for purchase on <a href=\"https:\/\/www.youtube.com\/watch?v=zBQwthlNYiQ\">YouTube<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Music<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">The Decemberists, \u201cThe Island,\u201d <em>The Crane Wife<\/em> (2006)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Various streaming services (including Spotify)<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Michael Nyman,<em> Noises, Sounds, and Sweet Airs <\/em>(1991)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Recorded as\u00a0<em>Michael Nyman and &#8216;The Tempest&#8217;<\/em> (2016) and available on various streaming services (including Spotify) and on <a href=\"https:\/\/www.youtube.com\/playlist?list=PLkFtwsyWPiBjMCuahRsQgQ9O6LNxqXncE\">YouTube<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Pyotr Tchaikovsky, <em>The Tempest, Symphonic Fantasia<\/em> <em>after Shakespeare, Opus 18<\/em> (1873)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Streaming on <a href=\"https:\/\/uci.naxosmusiclibrary.com\/catalogue\/item.asp?cid=074643935920\">Naxos via the library<\/a> and on various streaming services (including Spotify). Score downloadable <a href=\"https:\/\/imslp.org\/wiki\/The_Tempest,_Op.18_(Tchaikovsky,_Pyotr)#IMSLP105382\">online<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Ralph Vaughan Williams, <em style=\"font-family: inherit;font-size: inherit\">Full Fathom Five <\/em><span style=\"font-family: inherit;font-size: inherit\">(1951)<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">Streaming on <a href=\"https:\/\/uci.naxosmusiclibrary.com\/catalogue\/item.asp?cid=HMG501734DI\">Naxos via the library<\/a> and on various streaming services (including Spotify)<\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Primary Sources: Visual Art<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Charles Buchel, <em>Herbert Beerbohm Tree as Caliban<\/em> (1904)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Gustave Dor\u00e9, <em>Caliban<\/em> (late 1800s)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">William Maw Egley, <em>Prospero and Miranda<\/em> (c. 1850)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Henry Fuseil, <em>The Enchanted Island: Before the Cell of Prospero<\/em> (1797)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Candice Lin,\u00a0<em>Sycorax&#8217;s Collections\u00a0<\/em>(2016)<\/td>\n<td style=\"text-align: left;vertical-align: top\">Featured in Anuradha Vikram&#8217;s\u00a0&#8220;Candace Lin&#8217;s Garden of Earthly Delights&#8221; on <a href=\"https:\/\/www.kcet.org\/shows\/artbound\/candice-lins-garden-of-earthly-delights\">KCET<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Kenny Meadows, <em>Caliban<\/em> (1846)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">John Hamilton Mortimer, <em>Caliban<\/em> (1775)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">David Scott, <em>Ariel and Caliban<\/em> (1837)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">C.W. Sharp, <em>Caliban. Miranda. Prospero<\/em>. (1875)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">John William Waterhouse, <em>Miranda\u2014The Tempest<\/em> (1916)<\/td>\n<td style=\"text-align: left;vertical-align: top\">&#8220;Tempests&#8221; section of the <a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/\">Humanities Core Image Gallery<\/a><\/td>\n<\/tr>\n<tr style=\"background-color: #e5e5e5\">\n<td style=\"text-align: left\">Secondary Sources<\/td>\n<td style=\"text-align: left;vertical-align: top\">Access<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Berger, Harry.\u00a0 \u201cMiraculous Harp: A Reading of Shakespeare\u2019s <em>Tempest<\/em>.\u201d In Harold Bloom, ed., <em>William Shakespeare\u2019s\u00a0<\/em>The Tempest\u00a0(Chelsea House 1988), 9-42.<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Brown, Paul. \u201c\u2018This Thing of Darkness I Acknowledge Mine\u2019:\u00a0 <em>The Tempest<\/em> and the Discourse of Colonialism.\u201d\u00a0In Harold Bloom, ed., <em>William Shakespeare\u2019s\u00a0<\/em>The Tempest\u00a0(Chelsea House 1988), 131-52.<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Burnett, Mark Thornton. \u201c\u2018Strange and Woonderfull Sights\u2019:\u00a0 <em style=\"font-family: inherit;font-size: inherit\">The Tempest<\/em><span style=\"font-family: inherit;font-size: inherit\"> and the Discourse of Monstrosity.\u201d <\/span><em style=\"font-family: inherit;font-size: inherit\">Shakespeare Survey<\/em><span style=\"font-family: inherit;font-size: inherit\"> 50 (1997), 187-99.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\"><em><a href=\"https:\/\/www.cambridge.org\/core\/books\/shakespeare-survey\/strange-and-woonderfull-syghts-the-tempest-and-the-discourses-of-monstrosity\/F4994BD076CF73A4E2E0397F2EB7FD52\">Shakespeare Survey<\/a><\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Federici, Silvia.\u00a0<em>Caliban and the Witch.\u00a0<\/em>(Autonomedia 2004)<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library HQ1147.E85 F444 2004<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Frey, Charles. \u201cThe Tempest and the New World.\u201d <em style=\"font-family: inherit;font-size: inherit\">Shakespeare Quarterly<\/em><span style=\"font-family: inherit;font-size: inherit\"> 30 (1979), 29-41.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/2869659\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Garber, Marjorie. \u201cThe Eye of the Storm:\u00a0 Structure and Myth in Shakespeare\u2019s <em style=\"font-family: inherit;font-size: inherit\">Tempest<\/em><span style=\"font-family: inherit;font-size: inherit\"><span style=\"font-family: inherit;font-size: inherit\">.\u201d\u00a0<\/span><\/span><span style=\"font-family: inherit;font-size: inherit\">In Harold Bloom, ed., <em>William Shakespeare\u2019s\u00a0<\/em>The Tempest\u00a0(Chelsea House 1988), 43-64.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Greenblatt, Stephen J. \u201cLearning to Curse; Linguistic Colonialism in <em>The Tempest<\/em>.\u201d In Harold Bloom, ed., <em>William Shakespeare\u2019s\u00a0<\/em>The Tempest\u00a0(Chelsea House 1988), 65-8.<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Hulme, Peter.\u00a0 \u201cProspero and Caliban,\u201d in <em style=\"font-family: inherit;font-size: inherit\">Colonial Encounters: Europe and the Native Caribbean<\/em><span style=\"font-family: inherit;font-size: inherit\">, 1492-1796 (Routledge 1986), 115-34.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">[ddownload id=&#8221;5961&#8243;]<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Johnson, Nora.\u00a0 \u201cBody and Spirit:\u00a0 Stage and Sexuality in <em>The Tempest<\/em>.\u201d\u00a0 ELH 64 (1997), 683-700.<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/30030236\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Kahn, Coppelia.\u00a0 \u201cThe Providential Tempest and the Shakespearean Family.\u201d In Murray M.\u00a0 Schwartz and Coppelia Kahn, ed., <em>Representing Shakespeare: New Psychoanalytic Essays<\/em> (Hopkins, 1980), 217-43.<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2976.R4<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Lamming, George, <em>The Pleasures of Exile<\/em> (M. Joseph, 1964).<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR6023.A518 P5<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Lupton, Julia Reinhard. \u201cCreature Caliban.\u201d <em>Shakespeare Quarterly<\/em> 51 (2000), 1-23.<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/2902320\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Magnusson, A. Lynne. \u201cInterruption in <em>The Tempest<\/em>.\u201d <em>Shakespeare Quarterly<\/em> 37 (1986), 52-65.<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/2870191\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Nixon, Rob.\u00a0 \u201cCaribbean and African Appropriations of <em>The Tempest<\/em>.\u201d <em>Critical Inquiry <\/em>13 (1987), 557-78.<\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/1343513\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Orgel, Stephen.\u00a0 \u201cProspero\u2019s Wife.\u201d In Harold Bloom, ed., <em>William Shakespeare\u2019s\u00a0<\/em>The Tempest\u00a0(Chelsea House 1988), 99-112.<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Solomon, Julie Robin. \u201cGoing Places:\u00a0 Absolutism and Movement in Shakespeare\u2019s <em style=\"font-family: inherit;font-size: inherit\">The Tempest<\/em><span style=\"font-family: inherit;font-size: inherit\">.\u201d <\/span><em style=\"font-family: inherit;font-size: inherit\">Renaissance Drama<\/em><span style=\"font-family: inherit;font-size: inherit\"> 22 (1991), 3-45.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\"><a href=\"https:\/\/www.jstor.org\/stable\/41917271\">JSTOR<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Traister, Barbara Howard.\u00a0 \u201cProspero: Master of Self-knowledge.\u201d <span style=\"font-family: inherit;font-size: inherit\">In Harold Bloom, ed., <\/span><em style=\"font-family: inherit;font-size: inherit\">William Shakespeare\u2019s\u00a0<\/em><span style=\"font-family: inherit;font-size: inherit\">The Tempest\u00a0(Chelsea House 1988), 113-30.<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.W48 1988<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Vaughan, Aidan T. and Virginia Mason Vaughan, <em style=\"font-family: inherit;font-size: inherit\">Shakespeare\u2019s Caliban: A Cultural History<\/em><span style=\"font-family: inherit;font-size: inherit\"> (Cambridge, 1991).<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2833.V38 1991<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Wain, John, <em style=\"font-family: inherit;font-size: inherit\">The Living World of Shakespeare: A Playgoer\u2019s Guide<\/em><span style=\"font-family: inherit;font-size: inherit\"> (St. Martins, 1964).<\/span><\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2976.W26<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left\">Zabus, Chantal. <em>Tempests after Shakespeare<\/em> (Palgrave, 2002).<\/td>\n<td style=\"text-align: left;vertical-align: top\">On reserve at Langson Library\u00a0PR2878.T4 Z33 2002<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This bibliography of primary and secondary sources has been compiled to aid students in writing\u00a0Essay 4: Comparative Analysis of The Tempest and an Adaptation.\u00a0The following list of adaptations of The Tempest, while extensive, is by no means exhaustive. Students are encouraged to seek out primary sources in a range of genres that reimagine the original [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":2130,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"_links":{"self":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/5832"}],"collection":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/comments?post=5832"}],"version-history":[{"count":46,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/5832\/revisions"}],"predecessor-version":[{"id":6191,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/5832\/revisions\/6191"}],"up":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/2130"}],"wp:attachment":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/media?parent=5832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}