{"id":612,"date":"2016-05-14T11:26:45","date_gmt":"2016-05-14T18:26:45","guid":{"rendered":"http:\/\/sites.uci.edu\/empire\/?page_id=612"},"modified":"2019-09-20T12:36:03","modified_gmt":"2019-09-20T19:36:03","slug":"image-gallery","status":"publish","type":"page","link":"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/","title":{"rendered":"Image Gallery"},"content":{"rendered":"<p><i class=\"fa fa-lightbulb-o\"><!-- icon --><\/i> Recommended image resources: <a href=\"https:\/\/dp.la\/\">Digital Public Library of America<\/a>, <a href=\"http:\/\/library.artstor.org\">Artstor<\/a> (UCI access only), <a href=\"http:\/\/www.empire.amdigital.co.uk\/\">Empire Online<\/a> (UCI access only),\u00a0<a href=\"http:\/\/www.getty.edu\/research\/tools\/\">The Getty Research Institute<\/a>, <a href=\"https:\/\/archive.org\/\">The Internet Archive<\/a><\/p>\n<div class=\"fifty-percent-column\">\n<figure id=\"attachment_4417\" aria-describedby=\"caption-attachment-4417\" style=\"width: 359px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/uploads.knightlab.com\/storymapjs\/13de9ebd01dc92b4d9d2fa7a017b8dcb\/empire-and-its-ruins\/index.html\"><img loading=\"lazy\" class=\"wp-image-4417 size-full\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/11\/claudio-saunt-timelapse-map.gif\" alt=\"Timelapse map of ceded American Indian lands\" width=\"359\" height=\"181\" \/><\/a><figcaption id=\"caption-attachment-4417\" class=\"wp-caption-text\">Maps<\/figcaption><\/figure>\n<\/div>\n<div class=\"fifty-percent-column\">\n<figure id=\"attachment_4706\" aria-describedby=\"caption-attachment-4706\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/core.humanities.uci.edu\/index.php\/image-gallery\/timeline\"><img loading=\"lazy\" class=\"wp-image-4706 size-medium\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/01\/timeline-300x253.png\" alt=\"image of the timeline\" width=\"300\" height=\"253\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/01\/timeline-300x253.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/01\/timeline.png 717w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-4706\" class=\"wp-caption-text\">Timeline<\/figcaption><\/figure>\n<\/div>\n<div style=\"clear: both;\">\n<h3>The Aesthetics of Ruins<\/h3>\n<figure style=\"width: 302px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/collections.soane.org\/assets\/object_images\/4\/70\/11074\/v0_soane_fullview.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"http:\/\/collections.soane.org\/assets\/object_images\/4\/70\/11074\/v0_soane_fullview.jpg\" alt=\"The rotunda of the Bank of England in the year of its completion, but depicted as a Roman ruin\" width=\"302\" height=\"188\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Architectural Ruins \u2013 A Vision,<\/em> <br \/>by Joseph Gandy.<br \/>Visit: <u><a href=\"http:\/\/collections.soane.org\/object-p127\">\u00a9 Sir John Soane\u2019s Museum, London<\/a><\/u><\/figcaption><\/figure>\n<figure style=\"width: 301px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/collections.soane.org\/assets\/object_images\/2\/78\/20\/102872\/v0_soane_fullview.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" class=\"\" src=\"http:\/\/collections.soane.org\/assets\/object_images\/2\/78\/20\/102872\/v0_soane_fullview.jpg\" alt=\"Image of an imposing building in ruins\" width=\"301\" height=\"176\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Bird\u2019s-eye View of the Bank of England [\u2018The Bank in Ruins\u2019]<\/em>, <br \/>by Joseph Gandy. <br \/>Visit: <u><a href=\"http:\/\/collections.soane.org\/object-p267\">\u00a9Sir John Soane\u2019s Museum, London<\/a><\/u><\/figcaption><\/figure>\n<div style=\"clear: both;\"><\/div>\n<div id='gallery-1' class='gallery galleryid-612 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl.jpg'><img width=\"300\" height=\"220\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl-300x220.jpg\" class=\"attachment-medium size-medium\" alt=\"Turner&#039;s painting Lake Avernus: Aeneas and the Cumaean Sibyl\" loading=\"lazy\" aria-describedby=\"gallery-1-5696\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl-300x220.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl-768x563.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl-1024x751.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/10\/turner-aeneas-sibyl.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5696'>\n\t\t\t\t<i>Lake Avernus: Aeneas and the Cumaean Sibyl<\/i>, by J. M. W. Turner, 1814-15. <br \/>Visit: <a href=\"https:\/\/collections.britishart.yale.edu\/vufind\/Record\/1669242\"><u>Yale Center for British Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/09\/Cole-Course-of-Empire-Savage.png'><img width=\"300\" height=\"186\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/09\/Cole-Course-of-Empire-Savage-300x186.png\" class=\"attachment-medium size-medium\" alt=\"Thomas Cole&#039;s painting The Course of Empire: The Savage State\" loading=\"lazy\" aria-describedby=\"gallery-1-1617\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/09\/Cole-Course-of-Empire-Savage-300x186.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/09\/Cole-Course-of-Empire-Savage.png 397w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1617'>\n\t\t\t\t<em>The Course of Empire: The Savage State<\/em>, by Thomas Cole.  <br \/> Visit: <a href=\"http:\/\/www.nyhistory.org\/exhibit\/course-empire-savage-state-0\"><u>Collection of the New-York Historical Society<\/u><\/a>.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Arcadian.png'><img width=\"300\" height=\"188\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Arcadian-300x188.png\" class=\"attachment-medium size-medium\" alt=\"Thomas Cole&#039;s painting The Course of Empire: Pastoral State\" loading=\"lazy\" aria-describedby=\"gallery-1-1620\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Arcadian-300x188.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Arcadian.png 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1620'>\n\t\t\t\t<em>The Course of Empire: The Arcadian or Pastoral State<\/em>, by Thomas Cole.  <br \/> Visit: <a href=\"http:\/\/www.nyhistory.org\/exhibit\/course-empire-arcadian-or-pastoral-state-0\"><u>Collection of the New-York Historical Society<\/u><\/a>.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Consummation.png'><img width=\"300\" height=\"202\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Consummation-300x202.png\" class=\"attachment-medium size-medium\" alt=\"Thomas Cole&#039;s painting The Course of Empire: Consummation\" loading=\"lazy\" aria-describedby=\"gallery-1-1622\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Consummation-300x202.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Consummation.png 403w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1622'>\n\t\t\t\t<em>The Course of Empire: Consummation<\/em>, by Thomas Cole.  <br \/> Visit: <a href=\"http:\/\/www.nyhistory.org\/exhibit\/course-empire-consummation-empire-0\"><u>Collection of the New-York Historical Society<\/u><\/a>.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Destruction-1.png'><img width=\"300\" height=\"185\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Destruction-1-300x185.png\" class=\"attachment-medium size-medium\" alt=\"Cole&#039;s painting The Course of Empire: Destruction\" loading=\"lazy\" aria-describedby=\"gallery-1-3951\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Destruction-1-300x185.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Destruction-1-768x474.png 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Destruction-1.png 917w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3951'>\n\t\t\t\t<em>The Course of Empire: Destruction<\/em>, by Thomas Cole. <br \/> Visit: <a href=\"http:\/\/www.nyhistory.org\/exhibit\/course-empire-destruction-0\"><u>Collection of the New-York Historical Society<\/u><\/a>.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Desolation.png'><img width=\"300\" height=\"186\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Desolation-300x186.png\" class=\"attachment-medium size-medium\" alt=\"Thomas Cole&#039;s painting The Course of Empire: Desolation\" loading=\"lazy\" aria-describedby=\"gallery-1-1624\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Desolation-300x186.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Cole-Course-of-Empire-Desolation.png 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1624'>\n\t\t\t\t<em>The Course of Empire: Desolation<\/em>, by Thomas Cole. <br \/> Visit: <a href=\"http:\/\/www.nyhistory.org\/exhibit\/course-empire-desolation-0\"><u>Collection of the New-York Historical Society<\/u><\/a>.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/hubert-robert-grande-gallerie-louvre-ruins.jpg'><img width=\"300\" height=\"230\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/hubert-robert-grande-gallerie-louvre-ruins-300x230.jpg\" class=\"attachment-medium size-medium\" alt=\"\" loading=\"lazy\" aria-describedby=\"gallery-1-3874\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/hubert-robert-grande-gallerie-louvre-ruins-300x230.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/hubert-robert-grande-gallerie-louvre-ruins-768x590.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/hubert-robert-grande-gallerie-louvre-ruins.jpg 780w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3874'>\n\t\t\t\t<em>Imaginary View of the Grand Gallery of the Louvre in Ruins<\/em>, by Hubert Robert, 1796.<br \/>Visit: <a href=\"http:\/\/cartelen.louvre.fr\/cartelen\/visite?srv=car_not_frame&amp;idNotice=11099&amp;langue=en\"><u>The Louvre<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_View_of_Ripetta_-_WGA19603.jpg'><img width=\"300\" height=\"246\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_View_of_Ripetta_-_WGA19603-300x246.jpg\" class=\"attachment-medium size-medium\" alt=\"Hubert Robert&#039;s painting of the ruined port of Ripetta\" loading=\"lazy\" aria-describedby=\"gallery-1-3875\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_View_of_Ripetta_-_WGA19603-300x246.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_View_of_Ripetta_-_WGA19603.jpg 732w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3875'>\n\t\t\t\t<em>View of Ripetta<\/em>, by Hubert Robert, 1766. <br \/> Visit: <a href=\"http:\/\/www.beauxartsparis.com\/en\/collection-and-ressources\/painting\"><u>Beaux-Arts de Paris<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_The_Fire_of_Rome_-_Google_Art_Project.jpg'><img width=\"300\" height=\"241\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_The_Fire_of_Rome_-_Google_Art_Project-300x241.jpg\" class=\"attachment-medium size-medium\" alt=\"Hubert Robert&#039;s painting of Rome burning\" loading=\"lazy\" aria-describedby=\"gallery-1-3876\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_The_Fire_of_Rome_-_Google_Art_Project-300x241.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Hubert_Robert_-_The_Fire_of_Rome_-_Google_Art_Project.jpg 745w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3876'>\n\t\t\t\t<em>The Fire of Rome<\/em>, by Hubert Robert, ca. 1771. <br\/ > Visit: <a href=\"https:\/\/www.google.com\/culturalinstitute\/beta\/asset\/HAHxg_lHmo6TqQ\"><u>Google Arts &#038; Culture<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/RobertPonteSalario.jpg'><img width=\"256\" height=\"193\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/RobertPonteSalario.jpg\" class=\"attachment-medium size-medium\" alt=\"Hubert Robert&#039;s painting of the Salario bridge\" loading=\"lazy\" aria-describedby=\"gallery-1-1630\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1630'>\n\t\t\t\t<em>The Ponte Salario<\/em>, by Hubert Robert, c. 1775. <br \/>Visit: <a href=\"https:\/\/www.nga.gov\/content\/ngaweb\/Collection\/art-object-page.41665.html\"><u>National Gallery of Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/BattistaTombLicianusPiso.jpg'><img width=\"300\" height=\"203\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/BattistaTombLicianusPiso-300x203.jpg\" class=\"attachment-medium size-medium\" alt=\"Piranesi&#039;s View of the Tomb of Piso\" loading=\"lazy\" aria-describedby=\"gallery-1-1752\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/BattistaTombLicianusPiso-300x203.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/BattistaTombLicianusPiso.jpg 302w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1752'>\n\t\t\t\t<em>View of the Tomb of Licinianus Piso on the ancient Appian Way&#8230;<\/em> , by Giovanni Battista Piranesi, 1760-1778. <br \/> Visit: <a href=\"http:\/\/collections.lacma.org\/node\/234760\"><u>LACMA<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum.jpg'><img width=\"300\" height=\"225\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"Piranesi&#039;s engraving of the Colosseum\" loading=\"lazy\" aria-describedby=\"gallery-1-3888\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum-300x225.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum-768x576.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum-1024x768.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-colosseum.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3888'>\n\t\t\t\t<em>View of the Flavian Amphitheater Known as the Colosseum<\/em>, by Giovanni Battista Piranesi, ca. 1757.<br \/>Visit: <a href=\"https:\/\/archive.org\/stream\/McGillLibrary-rbsc_piranesi-battista_1720-1778_vedute-di-roma-16608\/rbsc_piranesi-battista_1720-1778_vedute-di-roma#page\/n4\/mode\/1up\"><u>archive.org<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-temple-juno-paestum.jpg'><img width=\"300\" height=\"221\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-temple-juno-paestum-300x221.jpg\" class=\"attachment-medium size-medium\" alt=\"Piranesi&#039;s etching of the interior of a temple at Paestum\" loading=\"lazy\" aria-describedby=\"gallery-1-3890\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-temple-juno-paestum-300x221.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-temple-juno-paestum-768x564.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/piranesi-temple-juno-paestum.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3890'>\n\t\t\t\t<em>Interior View of the Temple &#8230; to Juno<\/em>, from <em>Different Views of Paestum<\/em>, by Giovanni Battista Piranesi, 1778. <br\/>Visit: <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=gri.ark:\/13960\/t7xm34618;view=1up;seq=45\"><u>Hathi Trust<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/nypl.digitalcollections.639b6496-e4d8-e1ae-e040-e00a18061b63.001.w.jpg'><img width=\"231\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/nypl.digitalcollections.639b6496-e4d8-e1ae-e040-e00a18061b63.001.w-231x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Piranesi&#039;s Egyptian Obelisk etching\" loading=\"lazy\" aria-describedby=\"gallery-1-2014\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/nypl.digitalcollections.639b6496-e4d8-e1ae-e040-e00a18061b63.001.w-231x300.jpg 231w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/nypl.digitalcollections.639b6496-e4d8-e1ae-e040-e00a18061b63.001.w.jpg 584w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-2014'>\n\t\t\t\t<em>Obelisco Egizio, <\/em><br \/> by Giovanni Piranesi, ca. 1748-51. <br \/> Visit: <a href=\"http:\/\/digitalcollections.nypl.org\/items\/639b6496-e4d8-e1ae-e040-e00a18061b63\"><u>The New York Public Library<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/canaletto-arch-of-constantine-colosseum.jpg'><img width=\"300\" height=\"202\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/canaletto-arch-of-constantine-colosseum-300x202.jpg\" class=\"attachment-medium size-medium\" alt=\"Canaletto&#039;s painting of the Arch of Constantine and the Colosseum\" loading=\"lazy\" aria-describedby=\"gallery-1-3889\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/canaletto-arch-of-constantine-colosseum-300x202.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/canaletto-arch-of-constantine-colosseum-768x517.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/canaletto-arch-of-constantine-colosseum.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3889'>\n\t\t\t\t<em>View of the Arch of Constantine with the Colosseum<\/em>, by Giovanni Antonio Canal (Canaletto), 1742-45. <br \/>Visit: <a href=\"http:\/\/www.getty.edu\/art\/collection\/objects\/567\/canaletto-giovanni-antonio-canal-view-of-the-arch-of-constantine-with-the-colosseum-italian-1742-1745\/\"><u>J. Paul Getty Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-Capriccio-Ruins-Riverbank.jpg'><img width=\"300\" height=\"198\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-Capriccio-Ruins-Riverbank-300x198.jpg\" class=\"attachment-medium size-medium\" alt=\"Capriccio with ruins and riverbank by Guardi\" loading=\"lazy\" aria-describedby=\"gallery-1-3872\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-Capriccio-Ruins-Riverbank-300x198.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-Capriccio-Ruins-Riverbank-768x508.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-Capriccio-Ruins-Riverbank.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3872'>\n\t\t\t\tCapriccio with ruined arch and riverbank, by Francesco Guardi, 18th century. <br \/> Visit: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Capriccio_with_ruined_arch,_river_bank,_fishermen,_%26_a_temple_by_Guardi.jpg\"><u>Wikimedia Commons<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-fantastic-landscape.jpg'><img width=\"300\" height=\"171\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-fantastic-landscape-300x171.jpg\" class=\"attachment-medium size-medium\" alt=\"Guardi&#039;s painting of a fantastic landscape with ruins and ships\" loading=\"lazy\" aria-describedby=\"gallery-1-3877\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-fantastic-landscape-300x171.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/guardi-fantastic-landscape.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3877'>\n\t\t\t\t<em>Fantastic Landscape<\/em>, by Francesco Guardi, ca. 1765. <br \/>Visit: <a href=\"http:\/\/www.metmuseum.org\/art\/collection\/search\/436593\"><u>The Metropolitan Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Canaletto-ruins-of-the-kreuzkirche.jpg'><img width=\"300\" height=\"237\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Canaletto-ruins-of-the-kreuzkirche-300x237.jpg\" class=\"attachment-medium size-medium\" alt=\"Bellotto&#039;s painting of the ruins of the Church of the Holy Cross, Dresden\" loading=\"lazy\" aria-describedby=\"gallery-1-3873\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Canaletto-ruins-of-the-kreuzkirche-300x237.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Canaletto-ruins-of-the-kreuzkirche.jpg 761w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3873'>\n\t\t\t\t<em>The Ruins of the Old Kreuzkirche, Dresden<\/em>, by Bernardo Bellotto, 1765. <br \/> Visit: <a href=https:\/\/www.google.com\/culturalinstitute\/beta\/asset\/die-ruinen-der-kreuzkirche-in-dresden\/MwGFEGKLmmoojQ\"><u>Google Arts &#038; Culture<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/ruins-kew-gardens.jpg'><img width=\"300\" height=\"222\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/ruins-kew-gardens-300x222.jpg\" class=\"attachment-medium size-medium\" alt=\"Etching of the artificial ruins at Kew\" loading=\"lazy\" aria-describedby=\"gallery-1-3891\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/ruins-kew-gardens-300x222.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/ruins-kew-gardens.jpg 750w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3891'>\n\t\t\t\t<em>A View of the South Side of the Ruins at Kew<\/em>, etching by William Woollett after a drawing by Joshua Kirby, 1763. <br \/>Visit: <a href=\"http:\/\/www.britishmuseum.org\/research\/collection_online\/collection_object_details.aspx?objectId=3094845&#038;partId=1\"><u>British Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse.jpg'><img width=\"300\" height=\"255\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse-300x255.jpg\" class=\"attachment-medium size-medium\" alt=\"Frontispiece to Rousseau&#039;s First Discourse depicting Prometheus and satyr\" loading=\"lazy\" aria-describedby=\"gallery-1-3894\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse-300x255.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse-768x654.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse-1024x872.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-first-discourse.jpg 1203w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3894'>\n\t\t\t\tFrontispiece for Rousseau&#8217;s <em>Discourse on the Sciences and Arts<\/em>, engraving by Charles Banquoy, ca. 1750-51. <br \/>Visit: <a href=\"https:\/\/archive.org\/stream\/discoursquiremp00rous#page\/n3\/mode\/2up\"><u>archive.org<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse.jpg'><img width=\"300\" height=\"243\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse-300x243.jpg\" class=\"attachment-medium size-medium\" alt=\"Frontispiece to Rousseau&#039;s Second Discourse depicting the &quot;savage&quot; returning to his own people\" loading=\"lazy\" aria-describedby=\"gallery-1-3896\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse-300x243.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse-768x621.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse-1024x828.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/frontispiece-rousseau-second-discourse.jpg 1266w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3896'>\n\t\t\t\tFrontispiece to Rousseau&#8217;s <em>Discourse on the Origin of Inequality<\/em>, engraving after a drawing by Charles Eisen, 1755. <br \/>Visit: <a href=\"https:\/\/archive.org\/stream\/discourssurl00rous#page\/n5\/mode\/2up\"><u>archive.org<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/LaocoonCrop.png'><img width=\"267\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/LaocoonCrop-267x300.png\" class=\"attachment-medium size-medium\" alt=\"Image of bronze sculpture of Laocoon\" loading=\"lazy\" aria-describedby=\"gallery-1-1920\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/LaocoonCrop-267x300.png 267w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/10\/LaocoonCrop.png 302w\" sizes=\"(max-width: 267px) 100vw, 267px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1920'>\n\t\t\t\t<em>Laoc\u00f6on<\/em>, bronze by Giovanni Battista Foggini, ca. 1720. <br \/>\nVisit: <a href=\"http:\/\/www.getty.edu\/art\/collection\/objects\/1116\/giovanni-battista-foggini-laocoon-italian-about-1720\/\"><u>The Getty Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8.jpg'><img width=\"300\" height=\"171\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8-300x171.jpg\" class=\"attachment-medium size-medium\" alt=\"Plate from the Napoleonic survey of Egypt depicting the pyramids and sphinx in Memphis\" loading=\"lazy\" aria-describedby=\"gallery-1-3892\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8-300x171.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8-768x438.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8-1024x584.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/08\/Napoleon_I_180917_Description_de_lEgypte_Antiquites_Planches_Volume_V_Pyramides_de_Memphis_Plate_8.jpg 1989w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3892'>\n\t\t\t\t<em>Pyramids of Memphis<\/em>, from Napoleon&#8217;s <em>Description de l&#8217;Egypte<\/em>, 1809-17, Vol. V. <br \/>Visit: <a href=\"http:\/\/lhldigital.lindahall.org\/cdm\/landingpage\/collection\/egypt\"><u>Linda Hall Library<\/u><\/a> \n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Caspar_David_Friedrich_Winter-Night-OldAgeandDeath.png'><img width=\"300\" height=\"209\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Caspar_David_Friedrich_Winter-Night-OldAgeandDeath-300x209.png\" class=\"attachment-medium size-medium\" alt=\"Caspar David Friedrich&#039;s painting Winter -- Night -- Old Age and Death\" loading=\"lazy\" aria-describedby=\"gallery-1-3768\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Caspar_David_Friedrich_Winter-Night-OldAgeandDeath-300x209.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Caspar_David_Friedrich_Winter-Night-OldAgeandDeath.png 572w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-3768'>\n\t\t\t\t<em>Winter &#8212; Night &#8212; Old Age and Death<\/em>, by Caspar David Friedrich.<br \/>Visit: <a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?title=File:Caspar_David_Friedrich_-_Winter_%E2%80%93_Night_%E2%80%93_Old_Age_and_Death_(from_the_times_of_day_and_ages_of_man_cycle_of_1803)_-_Google_Art_Project.jpg&#038;oldid=174644267\"><u>Wikimedia Commons<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon.jpg'><img width=\"300\" height=\"182\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon-300x182.jpg\" class=\"attachment-medium size-medium\" alt=\"The Parthenon by Frederick Edwin Church\" loading=\"lazy\" aria-describedby=\"gallery-1-5550\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon-300x182.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon-768x467.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon-1024x622.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/f-e-church_parthenon.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5550'>\n\t\t\t\t<i>The Parthenon<\/i>, by Frederick Edwin Church, 1871.<br \/> Visit: <a href=\"https:\/\/www.metmuseum.org\/tfoah\/works-of-art\/15.30.67\/\"><u>Metropolitan Museum of Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/duncanson_pompeii.jpg'><img width=\"239\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/duncanson_pompeii-239x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Pompeii, by Robert S. Duncanson\" loading=\"lazy\" aria-describedby=\"gallery-1-5551\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/duncanson_pompeii-239x300.jpg 239w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/duncanson_pompeii.jpg 477w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5551'>\n\t\t\t\t<i>Pompeii<\/i>, by Robert S. Duncanson, 1855.<br \/>Visit: <a href=\"https:\/\/americanart.si.edu\/artwork\/pompeii-7607\"><u>Smithsonian American Art Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings.jpg'><img width=\"300\" height=\"227\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings-300x227.jpg\" class=\"attachment-medium size-medium\" alt=\"Landscape with Buildings, by Didier Barra\" loading=\"lazy\" aria-describedby=\"gallery-1-5552\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings-300x227.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings-768x580.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings-1024x773.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/Barra_Didier_-_Landscape_with_Buildings.jpg 1192w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5552'>\n\t\t\t\t<i>Landscape with Buildings<\/i>, by Didier Barra, early 17th century. <br \/>Visit: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Didier_Barra#\/media\/File:Barra,_Didier_-_Landscape_with_Buildings.jpg\"><u>Wikipedia<\/u><\/a>\n\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral.jpg'><img width=\"300\" height=\"222\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral-300x222.jpg\" class=\"attachment-medium size-medium\" alt=\"Explosion of a Cathedral, by Fran\u00e7ois de Nom\u00e9, early 17th century\" loading=\"lazy\" aria-describedby=\"gallery-1-5553\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral-300x222.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral-768x567.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral-1024x756.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/nome-explosion-of-a-cathedral.jpg 1025w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5553'>\n\t\t\t\t<i>Explosion of a Cathedral<\/i>, by Fran\u00e7ois de Nom\u00e9, early 17th century. <br \/>Visit: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fran\u00e7ois_de_Nom\u00e9#\/media\/File:Nom\u00e9,_Fran\u00e7ois_(Desiderio._Mons\u00f9)_-_Explos\u00e3o_de_una_Catedral.jpg\"><u>Wikipedia<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/canaletto_capriccio-with-classical-ruins.jpg'><img width=\"300\" height=\"245\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/canaletto_capriccio-with-classical-ruins-300x245.jpg\" class=\"attachment-medium size-medium\" alt=\"Capriccio with Classical Ruins, by Canaletto\" loading=\"lazy\" aria-describedby=\"gallery-1-5554\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/canaletto_capriccio-with-classical-ruins-300x245.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/canaletto_capriccio-with-classical-ruins-768x627.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/canaletto_capriccio-with-classical-ruins.jpg 940w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5554'>\n\t\t\t\t<i>Capriccio with Classical Ruins and Buildings<\/i>, by Canaletto, c. 1750s. <br \/>Visit: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Giovanni_Antonio_Canal,_il_Canaletto_-_Capriccio_with_Classical_Ruins_and_Buildings_-_WGA03970.jpg\"><u>Wikimedia Commons<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/sarah-cole_ancient-column.jpg'><img width=\"300\" height=\"286\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/sarah-cole_ancient-column-300x286.jpg\" class=\"attachment-medium size-medium\" alt=\"Ancient Column Near Syracuse, by Sarah Cole\" loading=\"lazy\" aria-describedby=\"gallery-1-5555\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/sarah-cole_ancient-column-300x286.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/sarah-cole_ancient-column.jpg 520w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5555'>\n\t\t\t\t<i>Ancient Column Near Syracuse<\/i>, by Sarah Cole, c. 1848. <br \/>Visit: <a href=\"https:\/\/www.smithsonianmag.com\/arts-culture\/the-grand-women-artists-of-the-hudson-river-school-1911058\/\"><u>Smithsonian Magazine<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_babylon-fallen.jpg'><img width=\"237\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_babylon-fallen-237x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Babylon Fallen, by Gustave Dore\" loading=\"lazy\" aria-describedby=\"gallery-1-5571\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_babylon-fallen-237x300.jpg 237w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_babylon-fallen.jpg 606w\" sizes=\"(max-width: 237px) 100vw, 237px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5571'>\n\t\t\t\t<i>Babylon Fallen<\/i>, by Gustave Dor\u00e9, 1866. <br \/>Visit: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dorebabylon-fallen.jpg\"><u>Wikimedia Commons<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_the-new-zealander.jpg'><img width=\"213\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_the-new-zealander-213x300.jpg\" class=\"attachment-medium size-medium\" alt=\"The New Zealander, by Gustave Dore\" loading=\"lazy\" aria-describedby=\"gallery-1-5570\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_the-new-zealander-213x300.jpg 213w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_the-new-zealander-768x1080.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/dore_the-new-zealander-728x1024.jpg 728w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5570'>\n\t\t\t\t<i>The New Zealander<\/i>, by Gustave Dor\u00e9, 1873. <br \/>Visit: \n<a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/398947\"><u>Metropolitan Museum of Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/ferguson_a-ruined-altar.jpg'><img width=\"210\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/ferguson_a-ruined-altar-210x300.jpg\" class=\"attachment-medium size-medium\" alt=\"A Ruined Altar, by Ferguson\" loading=\"lazy\" aria-describedby=\"gallery-1-5569\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/ferguson_a-ruined-altar-210x300.jpg 210w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/ferguson_a-ruined-altar.jpg 600w\" sizes=\"(max-width: 210px) 100vw, 210px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5569'>\n\t\t\t\t<i>A Ruined Altar and Figures<\/i>, by Henry Ferguson, late 17th century. <br \/>Visit: <a href=\"https:\/\/www.nationalgalleries.org\/art-and-artists\/4893\/ruined-altar-and-figures\"><u>National Galleries Scotland<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing.jpg'><img width=\"300\" height=\"291\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing-300x291.jpg\" class=\"attachment-medium size-medium\" alt=\"Aeneas and his Family Fleeing, by Gibbs\" loading=\"lazy\" aria-describedby=\"gallery-1-5568\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing-300x291.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing-768x745.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing-1024x993.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/gibbs_aeneas-and-his-family-fleeing.jpg 1536w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5568'>\n\t\t\t\t<i>Aeneas and his Family Fleeing Burning Troy<\/i>, by Henry Gibbs, 1654. <br \/>Visit: <a href=\"https:\/\/www.tate.org.uk\/art\/artworks\/gibbs-aeneas-and-his-family-fleeing-burning-troy-t06782\"><u>Tate Museum<\/u><\/a> \u00a9 Tate CC-BY-NC-ND 3.0 (Unported)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie.jpeg'><img width=\"300\" height=\"254\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie-300x254.jpeg\" class=\"attachment-medium size-medium\" alt=\"The Tame Magpie by Magnasco\" loading=\"lazy\" aria-describedby=\"gallery-1-5567\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie-300x254.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie-768x649.jpeg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie-1024x865.jpeg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_the-tame-magpie.jpeg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5567'>\n\t\t\t\t<i>The Tame Magpie<\/i>, by Alessandro Magnasco, c. 1707-8.<br \/>Visit: <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/436935\"><u>Metropolitan Museum of Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_banditti-at-rest.jpg'><img width=\"300\" height=\"199\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_banditti-at-rest-300x199.jpg\" class=\"attachment-medium size-medium\" alt=\"Banditti at Rest, by Magnasco\" loading=\"lazy\" aria-describedby=\"gallery-1-5566\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_banditti-at-rest-300x199.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_banditti-at-rest-768x510.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/magnasco_banditti-at-rest-1024x680.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5566'>\n\t\t\t\t<i>Banditti at Rest<\/i>, by Alessandro Magnasco, 1710s. <br \/>Visit:\n<a href=\"https:\/\/www.hermitagemuseum.org\/wps\/portal\/hermitage\/digital-collection\/01.+Paintings\/31525\"><u>The Hermitage Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_view-of-the-baths-of-titus.jpg'><img width=\"300\" height=\"205\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_view-of-the-baths-of-titus-300x205.jpg\" class=\"attachment-medium size-medium\" alt=\"View of the Baths of Titus, by Piranesi\" loading=\"lazy\" aria-describedby=\"gallery-1-5565\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_view-of-the-baths-of-titus-300x205.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_view-of-the-baths-of-titus-768x526.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_view-of-the-baths-of-titus-1024x701.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5565'>\n\t\t\t\t<i>View of the Baths of Titus<\/i>, by Giovanni Battista Piranesi, c. 1775. <br \/>Visit: <a href=\"https:\/\/collections.lacma.org\/node\/171985\"><u>LACMA<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_spacious-and-magnificent-harbor.jpg'><img width=\"300\" height=\"242\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_spacious-and-magnificent-harbor-300x242.jpg\" class=\"attachment-medium size-medium\" alt=\"Spacious and Magnificent Harbor, by Piranesi\" loading=\"lazy\" aria-describedby=\"gallery-1-5564\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_spacious-and-magnificent-harbor-300x242.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_spacious-and-magnificent-harbor-768x620.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/piranesi_spacious-and-magnificent-harbor-1024x827.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5564'>\n\t\t\t\t<i>Part of a spacious and magnificent Harbor\u2026<\/i>, by Giovanni Battista Piranesi, c. 1761-late 1780s. <br \/>Visit: <a href=\"https:\/\/collections.lacma.org\/node\/171892\"><u>LACMA<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/huubert-robert_stair-and-fountain.jpg'><img width=\"235\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/huubert-robert_stair-and-fountain-235x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Stair and Fountain by Hubert Robert\" loading=\"lazy\" aria-describedby=\"gallery-1-5563\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/huubert-robert_stair-and-fountain-235x300.jpg 235w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/huubert-robert_stair-and-fountain.jpg 560w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5563'>\n\t\t\t\t<i>Stair and Fountain in the Park of a Roman Villa<\/i>, by Hubert Robert, c. 1775. <br \/>Visit: <a href=\"https:\/\/collections.lacma.org\/node\/178489\"><u>LACMA<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_hermit-praying.jpg'><img width=\"300\" height=\"238\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_hermit-praying-300x238.jpg\" class=\"attachment-medium size-medium\" alt=\"A Hermit Praying, by Hubert Robert\" loading=\"lazy\" aria-describedby=\"gallery-1-5562\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_hermit-praying-300x238.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_hermit-praying-768x608.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_hermit-praying.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5562'>\n\t\t\t\t<i>A Hermit Praying in the Ruins of a Roman Temple<\/i>, by Hubert Robert, c. 1760. <br \/>Visit: <a href=\"http:\/\/www.getty.edu\/art\/collection\/objects\/798\/hubert-robert-a-hermit-praying-in-the-ruins-of-a-roman-temple-french-about-1760\/\"><u>Getty Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_landscape-with-ruins.png'><img width=\"300\" height=\"187\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_landscape-with-ruins-300x187.png\" class=\"attachment-medium size-medium\" alt=\"Landscape with Ruins, by Hubert Robert\" loading=\"lazy\" aria-describedby=\"gallery-1-5561\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_landscape-with-ruins-300x187.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_landscape-with-ruins-768x478.png 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/hubert-robert_landscape-with-ruins.png 938w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5561'>\n\t\t\t\t<i>Landscape with Ruins<\/i>, by Hubert Robert, 1772. <br \/>Visit: <a href=\"http:\/\/www.getty.edu\/art\/collection\/objects\/16\/hubert-robert-landscape-with-ruins-french-1772\/\"><u>Getty Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/turner_modern-rome-campo-vaccino.jpg'><img width=\"300\" height=\"224\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/turner_modern-rome-campo-vaccino-300x224.jpg\" class=\"attachment-medium size-medium\" alt=\"Modern Rome -- Campo Vaccino, by Turner\" loading=\"lazy\" aria-describedby=\"gallery-1-5560\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/turner_modern-rome-campo-vaccino-300x224.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/turner_modern-rome-campo-vaccino-768x572.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/turner_modern-rome-campo-vaccino.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-5560'>\n\t\t\t\t<i>Modern Rome &#8212; Campo Vaccino<\/i>, by J.M.W. Turner, 1839. <br \/>Visit: <a href=\"http:\/\/www.getty.edu\/art\/collection\/objects\/251762\/joseph-mallord-william-turner-modern-rome-campo-vaccino-british-1839\/\"><u>Getty Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<figure style=\"width: 302px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mfas3.s3.amazonaws.com\/objects\/SC185945.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"https:\/\/mfas3.s3.amazonaws.com\/objects\/SC185945.jpg\" alt=\"Romantic Landscape with a Temple, by Thomas Doughty,\" width=\"302\" height=\"188\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Romantic Landscape with a Temple<\/em>, by Thomas Doughty,<br \/>Visit: <u><a href=\"https:\/\/www.mfa.org\/collections\/object\/romantic-landscape-with-a-temple-33842\">\u00a9 The Museum of Fine Arts, Boston<\/a><\/u><\/figcaption><\/figure>\n<figure style=\"width: 400px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.ashmolean.org\/sites\/default\/files\/ashmolean\/images\/media\/wa_1926_1-cfull_0.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" class=\"\" src=\"https:\/\/www.ashmolean.org\/sites\/default\/files\/ashmolean\/images\/media\/wa_1926_1-cfull_0.jpg\" alt=\"Ascanius Shooting the Stag\" width=\"400\" height=\"360\" \/><\/a><figcaption class=\"wp-caption-text\"><em>Ascanius Shooting the Stag of Sylvia<\/em>, by Claude Lorrain, 1681-2.<br \/>Visit: <u><a href=\"https:\/\/www.ashmolean.org\/ascanius-shooting-stag-sylvia\">\u00a9 Ashmolean Museum<\/a><\/u><\/figcaption><\/figure>\n<div style=\"clear: both;\"><\/div>\n<h3>Empires in the Americas<\/h3>\n<div id='gallery-2' class='gallery galleryid-612 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/04\/Gast-American-Progress-e1465494718200.png'><img width=\"300\" height=\"212\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/04\/Gast-American-Progress-e1465494718200-300x212.png\" class=\"attachment-medium size-medium\" alt=\"The feminized figure of &quot;American Progress&quot; leads settlers, miners, and traders from East to West\" loading=\"lazy\" aria-describedby=\"gallery-2-20\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/04\/Gast-American-Progress-e1465494718200-300x212.png 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/04\/Gast-American-Progress-e1465494718200.png 625w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-20'>\n\t\t\t\t<em>American Progress<\/em>, published by George Crofutt, 1873, after a painting by John Gast.<br \/> Visit: <a href=\"https:\/\/www.loc.gov\/item\/97507547\/\"><u>Library of Congress<\/u><\/a>.\n\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1.jpeg'><img width=\"300\" height=\"296\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1-300x296.jpeg\" class=\"attachment-medium size-medium\" alt=\"Incan kero 1\" loading=\"lazy\" aria-describedby=\"gallery-2-5558\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1-300x296.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1-768x758.jpeg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1-1024x1011.jpeg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/incan-kero-1.jpeg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-5558'>\n\t\t\t\tIncan kero (Figure 1 in \u201cWhat Historians Do and Why We Do It,\u201d WH), 15th-16th centuries. <br \/>Visit: <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/317791\"><u>Metropolitan Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/colonial-inka-style-kero.png'><img width=\"268\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/colonial-inka-style-kero-268x300.png\" class=\"attachment-medium size-medium\" alt=\"Colonial inka-style kero\" loading=\"lazy\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/colonial-inka-style-kero-268x300.png 268w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/colonial-inka-style-kero.png 535w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet.jpg'><img width=\"300\" height=\"224\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-300x224.jpg\" class=\"attachment-medium size-medium\" alt=\"America, engraving by Theodor Galle after a drawing by Jan van der Straet, c. 1580\" loading=\"lazy\" aria-describedby=\"gallery-2-2712\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-300x224.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-768x574.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-1024x765.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-268x200.jpg 268w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet-700x523.jpg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/America-Jan-van-der-Straet.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2712'>\n\t\t\t\t<em>America<\/em>, engraving by Theodor Galle after a drawing by Jan van der Straet, c. 1580.<br \/>Visit: <a href=\"http:\/\/www.nga.gov\/content\/ngaweb\/Collection\/art-object-page.48742.html\"><u>National Gallery of Art<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/tordesillas-decadas-title-page.png'><img width=\"197\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/tordesillas-decadas-title-page-197x300.png\" class=\"attachment-medium size-medium\" alt=\"Engraving in Tordesillas&#039; Historia general, c. 1611\" loading=\"lazy\" aria-describedby=\"gallery-2-2656\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/tordesillas-decadas-title-page-197x300.png 197w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/tordesillas-decadas-title-page.png 496w\" sizes=\"(max-width: 197px) 100vw, 197px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2656'>\n\t\t\t\tEngraving in Tordesillas&#8217; <em>Historia general<\/em>, c. 1611 (Cummins fig. 1).<br \/> Visit: <a href=\"https:\/\/archive.org\/stream\/generaldehechosd03herr#page\/n4\/mode\/1up\"><u>archive.org<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/POMA-first-quya.jpeg'><img width=\"216\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/POMA-first-quya-216x300.jpeg\" class=\"attachment-medium size-medium\" alt=\"Illustration of the first quya from Guaman Poma\" loading=\"lazy\" aria-describedby=\"gallery-2-2720\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/POMA-first-quya-216x300.jpeg 216w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/POMA-first-quya.jpeg 396w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2720'>\n\t\t\t\t<em>Mama Vaco Coia<\/em> [First quya], from Felipe Guaman Poma de Ayala, <em>The First New Chronicle and Good Government<\/em>, 1615\/1616. <br \/>Visit: <a href=\"http:\/\/www.kb.dk\/permalink\/2006\/poma\/120\/en\/image\/?open=idp218992\"><u>The Royal Library, Copenhagen<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-marcos-chiguan.png'><img width=\"194\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-marcos-chiguan-194x300.png\" class=\"attachment-medium size-medium\" alt=\"Portrait of Don Marcos Chiguan, c. 1745\" loading=\"lazy\" aria-describedby=\"gallery-2-2657\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-marcos-chiguan-194x300.png 194w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-marcos-chiguan-662x1024.png 662w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-marcos-chiguan.png 678w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2657'>\n\t\t\t\tPortrait of Don Marcos Chiguathopa, c. 1745, Museo Inka (Cummins fig. 2).<br \/>Visit: <a href=\"http:\/\/vistas-visual-culture.net\/themes\/pre-columbian-images-06\/\"><u>Vistas: Visual Culture in Spanish America<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-alonso-chiguan.jpg'><img width=\"180\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-alonso-chiguan-180x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Portrait of Don Alonso Chiguan, c. 1710\" loading=\"lazy\" aria-describedby=\"gallery-2-2661\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-alonso-chiguan-180x300.jpg 180w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/don-alonso-chiguan.jpg 613w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2661'>\n\t\t\t\tPortrait of Don Alonso Chiguan Topa, c. 1710 (Cummins fig. 3). <br \/>Visit: <a href=\"http:\/\/library.artstor.org\/library\/secure\/ViewImages?id=%2BSxWdSgmRDU6LEhUfz59QHgkUA%3D%3D&amp;userId=gzFEdTsn&amp;zoomparams=&amp;fs=true\"><u>Artstor<\/u><\/a> (UCI access only)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow.jpg'><img width=\"300\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Inca kero with feline, rainbow, and man\" loading=\"lazy\" aria-describedby=\"gallery-2-2660\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow-300x300.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow-150x150.jpg 150w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow-100x100.jpg 100w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/01\/inca-kero-rainbow.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2660'>\n\t\t\t\tKero with feline, rainbow, and man (Cf. Cummins fig. 11). <br \/>Visit: <a href=\"http:\/\/www.britishmuseum.org\/research\/collection_online\/collection_object_details.aspx?objectId=477990&amp;partId=1&amp;people=40923&amp;peoA=40923-3-17&amp;page=1\"><u>British Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Unknown-Portrait-Nusta.jpg'><img width=\"200\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Unknown-Portrait-Nusta-200x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Portrait of a \u00d1usta, c. 1730-1750\" loading=\"lazy\" aria-describedby=\"gallery-2-2728\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Unknown-Portrait-Nusta-200x300.jpg 200w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Unknown-Portrait-Nusta.jpg 681w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2728'>\n\t\t\t\tPortrait of a \u00d1usta, c. 1730-1750, Museo Inka (Cummins fig. 4). <br \/> Visit: <a href=\"http:\/\/library.artstor.org\/library\/secure\/ViewImages?id=%2BSxWdSgmRDU6LEhUfz59QH8jXg%3D%3D&amp;userId=gzFEdTsn&amp;zoomparams=&amp;fs=true\"><u>Artstor<\/u><\/a> (UCI access only)\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/virgin-of-the-mountain.jpg'><img width=\"221\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/virgin-of-the-mountain-221x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Image of the Virgin of the Mountain, Potosi\" loading=\"lazy\" aria-describedby=\"gallery-2-2786\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/virgin-of-the-mountain-221x300.jpg 221w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/virgin-of-the-mountain.jpg 450w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2786'>\n\t\t\t\t<em>Virgin of the Mountain<\/em>, early 18th century.<br \/> Visit: <a href=\"http:\/\/www.casanacionaldemoneda.org.bo\/galeriapin\/index.html\"><u>Casa Nacional de Moneda, Potos\u00ed, Bolivia<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent.jpeg'><img width=\"300\" height=\"241\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent-300x241.jpeg\" class=\"attachment-medium size-medium\" alt=\"Title of arms granted to Gonzalo Uchu Hualpa and Felipe Tupac Inca\" loading=\"lazy\" aria-describedby=\"gallery-2-2810\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent-300x241.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent-768x617.jpeg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent-1024x823.jpeg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent-700x563.jpeg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/title-of-arms-copy-17th-cent.jpeg 1560w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-2810'>\n\t\t\t\tTitle of arms granted to Gonzalo Uchu Hualpa and Felipe Tupac Inca Yupanqui, undated copy.<br \/> Visit: <a href=\"http:\/\/pares.mcu.es\/ParesBusquedas\/servlets\/Control_servlet?accion=3&amp;&amp;txt_tipo_busqueda=dl&amp;txt_busqueda=&amp;txt_correo=S&amp;txt_id_desc_ud=17961\"><u>Portal de Archivos Espa\u00f1oles<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Procession-Corpus-Christi-San-Sebastian.jpeg'><img width=\"218\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Procession-Corpus-Christi-San-Sebastian-218x300.jpeg\" class=\"attachment-medium size-medium\" alt=\"Painting of the Procession of Corpus Christi, San Sebasti\u00e1n, c. 1675\" loading=\"lazy\" aria-describedby=\"gallery-2-3770\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Procession-Corpus-Christi-San-Sebastian-218x300.jpeg 218w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/07\/Procession-Corpus-Christi-San-Sebastian.jpeg 436w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-2-3770'>\n\t\t\t\tProcession of Corpus Christi, San Sebasti\u00e1n, c. 1675 (Cummins fig. 5).\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<h3>Tempests<\/h3>\n<div id='gallery-3' class='gallery galleryid-612 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Reynolds-Tollemache-Miranda.jpeg'><img width=\"181\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Reynolds-Tollemache-Miranda-181x300.jpeg\" class=\"attachment-medium size-medium\" alt=\"Joshua Reynolds&#039; painting of Miranda\" loading=\"lazy\" aria-describedby=\"gallery-3-2724\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Reynolds-Tollemache-Miranda-181x300.jpeg 181w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Reynolds-Tollemache-Miranda.jpeg 569w\" sizes=\"(max-width: 181px) 100vw, 181px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2724'>\n\t\t\t\t<em>Mrs Tollemache as Miranda<\/em> by Joshua Reynolds, 1773\/74, Kenwood Collection.<br \/> Visit: <a href=\"http:\/\/artuk.org\/discover\/artworks\/mrs-tollemache-as-miranda-191822\"><u>Art UK<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest.jpeg'><img width=\"300\" height=\"244\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest-300x244.jpeg\" class=\"attachment-medium size-medium\" alt=\"Hogarth&#039;s painting of a scene from the Tempest\" loading=\"lazy\" aria-describedby=\"gallery-3-2726\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest-300x244.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest-768x625.jpeg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest-700x569.jpeg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Hogarth-Tempest.jpeg 944w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2726'>\n\t\t\t\t<em>Ferdinand Courting Miranda<\/em> [Scene from <em>The Tempest<\/em>] by William Hogarth, c. 1735, Nostell Priory.<br \/> Visit: <a href=\"http:\/\/www.nationaltrustcollections.org.uk\/object\/960074\"><u>The National Trust<\/u><\/a><br \/><br \/><i class=\"fa fa-music\" aria-hidden=\"true\"><!--icon--><\/i> Listen: <a href=\"https:\/\/www.youtube.com\/watch?v=ZhVBuzvf5pQ\"><u>&#8220;Full Fathom Five&#8221;<\/u><\/a> composed by Robert Johnson.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap.jpeg'><img width=\"300\" height=\"250\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap-300x250.jpeg\" class=\"attachment-medium size-medium\" alt=\"Illustration of a map of the world in a fool&#039;s cap\" loading=\"lazy\" aria-describedby=\"gallery-3-2916\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap-300x250.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap-768x639.jpeg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap-1024x853.jpeg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap-700x583.jpeg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/O_caput_elleboro_dignum_World-in-a-fools-cap.jpeg 1266w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2916'>\n\t\t\t\t&#8220;O Caput Elleboro Dignum,&#8221; map of the world in a fool&#8217;s cap, c. 1590.<br \/>Visit: <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b7710391q\"><u>National Library of France<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/caldore.jpg'><img width=\"223\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/caldore-223x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Caliban by Gustav Dor\u00e9\" loading=\"lazy\" aria-describedby=\"gallery-3-2931\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/caldore-223x300.jpg 223w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/caldore.jpg 253w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2931'>\n\t\t\t\tCaliban, based on an illustration of Act II Scene 2 by Gustave Dor\u00e9, late 1800s.<br \/>Visit: <a href=\"https:\/\/books.google.com\/books?id=sZkNAAAAQAAJ&amp;dq=gustave%20dore%20tempest&amp;pg=PA45#v=onepage&amp;q&amp;f=false\"><u>Google Books<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe.jpg'><img width=\"300\" height=\"234\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe-300x234.jpg\" class=\"attachment-medium size-medium\" alt=\"C. W. Sharp&#039;s engraving of Caliban, Miranda, and Prospero\" loading=\"lazy\" aria-describedby=\"gallery-3-2934\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe-300x234.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe-768x599.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe.jpg 1024w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calsharpe-700x546.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2934'>\n\t\t\t\t<em>Caliban. Miranda. Prospero.<\/em> Engraving by C. W. Sharp based on a design by M. Retzsch, 1875.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/tempest-fuseli.jpeg'><img width=\"300\" height=\"234\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/tempest-fuseli-300x234.jpeg\" class=\"attachment-medium size-medium\" alt=\"Full version of a lithograph of Fuseli&#039;s Enchanted Island--Before the Cell of Prospero\" loading=\"lazy\" aria-describedby=\"gallery-3-2937\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/tempest-fuseli-300x234.jpeg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/tempest-fuseli.jpeg 599w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2937'>\n\t\t\t\t&#8220;The Enchanted Island Before the Cell of Prospero&#8221;(Shakespeare, The Tempest, Act 1, Scene 2), engraved by Peter Simon after Henry Fuseli, 1797.<br \/>Visit: <a href=\"http:\/\/www.metmuseum.org\/Collections\/search-the-collections\/365591\"><u>The Metropolitan Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW.jpg'><img width=\"300\" height=\"216\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW-300x216.jpg\" class=\"attachment-medium size-medium\" alt=\"Waterhouse&#039;s painting of Miranda--The Tempest\" loading=\"lazy\" aria-describedby=\"gallery-3-2979\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW-300x216.jpg 300w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW-768x553.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW-700x504.jpg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2016\/05\/Miranda_-_The_Tempest_JWW.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2979'>\n\t\t\t\t<em>Miranda&#8211;The Tempest<\/em> by John William Waterhouse, 1916, in private collection. <br \/>Visit: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/John_William_Waterhouse\" target=\"_blank\" rel=\"noopener noreferrer\"><u>Wikimedia Commons<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Ariel-and-Caliban-Scott.jpg'><img width=\"285\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Ariel-and-Caliban-Scott-285x300.jpg\" class=\"attachment-medium size-medium\" alt=\"David Scott&#039;s painting of Ariel and Caliban\" loading=\"lazy\" aria-describedby=\"gallery-3-2939\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Ariel-and-Caliban-Scott-285x300.jpg 285w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Ariel-and-Caliban-Scott.jpg 598w\" sizes=\"(max-width: 285px) 100vw, 285px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2939'>\n\t\t\t\t<em>Ariel and Caliban<\/em> by David Scott, 1837.<br \/> Visit: <a href=\"http:\/\/artuk.org\/discover\/artworks\/ariel-and-caliban-210672\"><u>Scottish National Gallery<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Caliban-Buchel.png'><img width=\"223\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Caliban-Buchel-223x300.png\" class=\"attachment-medium size-medium\" alt=\"Charles Buchel&#039;s image of Caliban, 1904\" loading=\"lazy\" aria-describedby=\"gallery-3-2938\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Caliban-Buchel-223x300.png 223w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/Caliban-Buchel.png 257w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2938'>\n\t\t\t\tHerbert Beerbohm Tree as Caliban, by Charles Buchel, 1904.<br \/> Visit: <a href=\"https:\/\/www.bl.uk\/collection-items\/illustration-of-beerbohm-tree-as-caliban\"><u>The British Library<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic.jpg'><img width=\"185\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic-185x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Kenny Meadow&#039;s illustration of Caliban\" loading=\"lazy\" aria-describedby=\"gallery-3-2935\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic-185x300.jpg 185w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic-768x1246.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic-631x1024.jpg 631w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic-700x1136.jpg 700w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calvic.jpg 1724w\" sizes=\"(max-width: 185px) 100vw, 185px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2935'>\n\t\t\t\tCaliban, illustration by Kenny Meadows from <em>The Works of Shakspere<\/em>, edited by Barry Cornwall, Vol. 1, 1846.<br \/>Visit: <a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=mdp.39015082503858;view=1up;seq=56\"><u>Hathi Trust<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer.jpg'><img width=\"246\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer-246x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Engraving of Caliban 1775\" loading=\"lazy\" aria-describedby=\"gallery-3-2933\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer-246x300.jpg 246w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer-768x937.jpg 768w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer-839x1024.jpg 839w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2017\/02\/calmortimer-700x854.jpg 700w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-2933'>\n\t\t\t\t<em>Caliban<\/em>, engraved and published by John Hamilton Mortimer, 1775.<br \/> Visit: <a href=\"http:\/\/metmuseum.org\/art\/collection\/search\/408103\"><u>The Metropolitan Museum<\/u><\/a>\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/eagley_prospero-and-miranda.jpg'><img width=\"198\" height=\"300\" src=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/eagley_prospero-and-miranda-198x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Prospero and Miranda by William Maw Egley\" loading=\"lazy\" aria-describedby=\"gallery-3-5556\" srcset=\"https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/eagley_prospero-and-miranda-198x300.jpg 198w, https:\/\/core.humanities.uci.edu\/wp-content\/uploads\/2018\/09\/eagley_prospero-and-miranda.jpg 317w\" sizes=\"(max-width: 198px) 100vw, 198px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-3-5556'>\n\t\t\t\t<i>Prospero and Miranda<\/i>,\u00a0by William Maw Egley, c. 1850. <br \/>Visit: <a href=\"https:\/\/en.wikipedia.org\/wiki\/William_Maw_Egley#\/media\/File:Prospero_and_miranda.jpg><u>Wikipedia<\/u><\/a>\n\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Recommended image resources: Digital Public Library of America, Artstor (UCI access only), Empire Online (UCI access only),\u00a0The Getty Research Institute, The Internet Archive The Aesthetics of Ruins Empires in the Americas Tempests<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"_links":{"self":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/612"}],"collection":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/comments?post=612"}],"version-history":[{"count":231,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/612\/revisions"}],"predecessor-version":[{"id":6812,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/612\/revisions\/6812"}],"wp:attachment":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/media?parent=612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}