{"id":6654,"date":"2019-06-20T10:48:15","date_gmt":"2019-06-20T17:48:15","guid":{"rendered":"http:\/\/core.humanities.uci.edu\/?page_id=6654"},"modified":"2019-06-25T14:57:38","modified_gmt":"2019-06-25T21:57:38","slug":"historical-analysis-source-guide","status":"publish","type":"page","link":"https:\/\/core.humanities.uci.edu\/index.php\/history-and-archives\/2018-2019-winter\/historical-analysis-source-guide\/","title":{"rendered":"2018-2019 Winter: Historical Analysis Source Guide"},"content":{"rendered":"

This bibliography of primary and secondary sources for Essay 3: Historical Analysis of an Andean Artifact was compiled by Professor Rachel O’Toole. While the sources have been categorized by primary source topic, you may want to word search the entire source guide for themes and motifs that cross genres (i.e., animals, Catholic iconography, etc.).<\/p>\n

Planning to conduct online research from a location off-campus? Be sure to install the free VPN client software<\/a> on your computer or phone and learn how to use the application<\/a>.<\/p>\n

Materials labelled “on reserve at Langson Library”<\/a> can be checked out for 2 hours from the Langson Library check-out desk<\/a>.<\/p>\n

Topics:
\nInca Clothing\/Inca Objects<\/a>
\nReligious Artwork<\/a>
\nColonial Oil Portraiture<\/a>
\nFurther References on Art and Objects in the Colonial Period<\/a>
\nColonial Chronicles<\/a>
\nFurther References on the Inca, Indigenous Andean People during Spanish Colonization, and the Spanish Empire in the Andes<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n\u00a0Inca Clothing\/Inca Objects (Primary Sources)<\/td>\n\u00a0Access<\/td>\n<\/tr>\n
1<\/td>\nImages of Uncus. The Colonial Andes: Tapestries and Silverwork, 1530-1830<\/em>, edited by Elena Phipps, Johanna Hecht, and Cristina Esteras Mart\u00edn, 172-175. New York: Yale University Press, 2004.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
2<\/td>\nKero, with Inka Village and Planting Scenes, late 16th c. Museo Inka, Cuzco, Peru. Vistas: Visual Culture in Spanish America, 1520-1820. https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1744<\/a><\/td>\nWebsite:\u00a0Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
3<\/td>\nPlate 67a,b. Tapestry Mantle or Shroud with Tocapu Motifs. In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 179-182. Boston. Boston: Museum of Fine Arts, 1992.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
4<\/td>\nPlate 69a, b. Woman\u2019s Mantle with Siren Figures. In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 184-185. Boston. Boston: Museum of Fine Arts, 1992.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
5<\/td>\nPlate 72. Cushion Cover with Coat of Arms. In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 189-191. Boston. Boston: Museum of Fine Arts, 1992.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
6<\/td>\nPlate 77. Cover with Female Figures. In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 198-199. Boston. Boston: Museum of Fine Arts, 1992.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
7<\/td>\nPlate 78. Cover with Hapsburg Eagles. In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 200-201. Boston. Boston: Museum of Fine Arts, 1992.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
8<\/td>\nSmall Cover, late 16th-early 17th c. Museo Inka, Cuzco, Peru. Vistas: Visual Culture in Spanish America, 1520-1820.
\nhttps:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/lliclla_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1893<\/a> [new]<\/td>\n		Website: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
9<\/td>\nUnku with Heraldic Lions and the Name “Diego Dias,” 17th c. Museo Inka, Cuzco, Peru. Vistas: Visual Culture in Spanish America, 1520-1820. https:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/unku_lions_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1913<\/a> [new, front view], https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1912<\/a> [new, back view]<\/td>\nWebsite: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
10<\/td>\nUnku with Heraldry, 16th c. Private Collection, USA. Vistas: Visual Culture in Spanish America, 1520-1820. https:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/tunic_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1915<\/a> [new, front view], https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1914<\/a> [new, back view]<\/td>\nWebsite: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
<\/td>\nInca Clothing\/Inca Objects (Secondary Sources)<\/td>\n\u00a0Access<\/td>\n<\/tr>\n
11<\/td>\nCummins, Tom. \u201cQueros, Aquillas, Uncus, and Chulpas: The Composition of Inka Artistic Expression and Power.\u201d In Variations in the Expression of Inka Power: A Symposium at Dumbarton Oaks, 18 and 19 October 1997<\/em>, edited by Richard Burger, Craig Morris, and Ramiro Matos, 267\u2013311. Washington, DC: Dumbarton Oaks, 2007.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
12<\/td>\nCummins, Tom. Toasts with the Inca: Andean Abstraction and Colonial Images on Quero Vessels<\/em>. Ann Arbor: University of Michigan Press, 2002.<\/td>\nOn reserve at Langson Library
\nF2230.1.D75 C85 2002<\/td>\n<\/tr>\n
13<\/td>\n\n

Dean, Carolyn. Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru<\/em>. Durham, N.C.: Duke University Press, 1999.<\/p>\n

Note: While this article is about religious paintings created in the colonial period, it provides useful information for analysis of Inca motifs found in textiles, especially animals (monkeys, parrots, llamas, etc.).<\/td>\n

ProQuest EBook Central<\/a>\u00a0(On-campus or VPN access required)Also on reserve at Langson Library
\nGT4995.C6 D43 1999<\/td>\n<\/tr>\n
14<\/td>\n\n

Niles, Susan. “Artist and Empire in Inca and Colonial Textiles.” In To Weave for the Sun: Ancient Andean Textiles in the Museum of Fine Arts<\/em>, edited by Rebecca R. Stone-Miller, 51-65. Boston: Museum of Fine Arts, 1992.<\/p>\n

Note: Introduction to Inca weaving techniques and their transformation in colonial works; considers the nature of production and the relation of these cloths to Andean identity.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
15<\/td>\nPhipps, Elena, Johanna Hecht and Cristina Esteras Mart\u00edn. The Colonial Andes: Tapestries and Silverwork, 1530-1830<\/em>. New York: Metropolitan Museum of Art, 2004.
\n– Phipps, Elena. \u201cTunic (unku) for a child or a statue.\u201d pp. 270-272.
\n– Phipps, Elena. \u201cCumbi to Tapestry: Collection, Innovation, and Transformation of the Colonial Andean Tapestry Tradition.\u201d pp. 72\u201399.
\n– Phipps, Elena. \u201cGarments and Identity in the Colonial Andes.\u201d pp. 16-40.<\/td>\n		Google Books<\/a><\/td>\n<\/tr>\n
16<\/td>\n\n

Phipps, Elena. \u201cTextiles as Cultural Memory: Andean Garments in the Colonial Period.\u201d In Converging Cultures: Art and Identity in Spanish America<\/em>, edited by Diana Fane, 144\u2013156. New York: Harry N. Abrams, 1996.<\/p>\n

Note: Written by a leading scholar of Andean textiles, Phipps\u2019s article provides a clear overview of the coming together of Andean and European textile traditions in early colonial Peru with a focus on the lliclla, women\u2019s mantles that continued to be worn after the conquest.<\/td>\n

On reserve at Langson Library
\nN6553 .C66 1996<\/td>\n<\/tr>\n
17<\/td>\n\n

Pillsbury, Joanne. “Inca-Colonial Tunics: A Case Study of the Bandelier Set.” In Andean Textile Traditions: Papers from the 2001 Mayer Center Symposium<\/em>, edited by M. Young S\u00e1nchez and F. W. Simpson, 123-168. Denver: Denver Art Museum, 2006.<\/p>\n

Note: An examination of the group of early colonial tunics in the American Museum of Natural History known as the Bandelier Set. Shows that traditional Inca motifs survived into the colonial period but were made to coexist with new European-influenced elements.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
18<\/td>\nPillsbury, Joanne. \u201cInka Unku: Strategy and Design in Colonial Peru.\u201d Cleveland Studies in the History of Art<\/em> 7 (2002): 68-103.
\nhttp:\/\/www.jstor.org\/stable\/20079720<\/a>Note:\u00a0Explains the symbolic and the economic value of the unku during the Inca Empire and into the Spanish colonial period.<\/td>\n		Database: JSTOR<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
19<\/td>\n\n

Rowe, Ann Pollard. \u201cInca Weaving and Costume.\u201d Textile Museum Journal<\/em> 34\u201335 (1995\u20131996): 5\u201353. Academic Search Complete. http:\/\/search.ebscohost.com\/login.aspx?direct=true&db=asu&AN=505712395&site=ehost-live&scope=site<\/a><\/p>\n

Note:\u00a0With a well-written text defining and describing all forms and features of Inca clothing and accoutrements (e.g., slings, bags, belts, pins, and sandals) and styles of weaving, and with excellent photos illustrating the various women\u2019s and men\u2019s garments discussed in the text.<\/td>\n

Database: Academic Search Complete<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
20<\/td>\nRowe, Ann Pollard. \u201cProvincial Inca Tunics of the South Coast of Peru.\u201d The Textile Museum Journal<\/em> 31 (1992): 4-53. Academic Search Complete.
\nhttp:\/\/search.ebscohost.com\/login.aspx?direct=true&db=asu&AN=505590044&site=ehost-live&scope=site\u00a0<\/a>Note:\u00a0Discusses the differences between tunic\/unku styles during the Inca Empire.<\/td>\n		\n

Database: Academic Search Complete<\/a><\/p>\n

(On-campus or VPN access required)<\/td>\n<\/tr>\n

21<\/td>\n\n

Rowe, John Howland. \u201cStandardization in Inca Tapestry Tunics.\u201d In The Junius B. Bird PreColumbian Textile Conference, May 19th and 20th, 1973<\/em>, edited by Ann Pollard Rowe, Elizabeth P. Benson, and Anne Louise Schaffer, 239\u2013260. Washington, DC: Textile Museum, 1979.<\/p>\n

Note:\u00a0An important work in establishing that Inca royal tunics (uncus) were produced according to standardized weaving processes and design principles and that they bore elaborate geometric iconography expressive of core values and principles of Inca ideology and statecraft.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
22<\/td>\n\n

Stanfield-Mazzi, Maya. Object and Apparition: Envisioning the Christian Divine in the Colonial Andes<\/em>. Tucson: University of Arizona Press, 2016.<\/p>\n

Note: Useful for analysis of Inca motifs.<\/td>\n

On reserve at Langson Library,\u00a0BOOK 3416<\/td>\n<\/tr>\n
23<\/td>\n\n

Stanfield Mazzi, Maya. \u201cThe Possessor\u2019s Agency: Private Art Collecting in the Colonial Andes.\u201d Colonial Latin American Review<\/em> 18, no. 3 (2009): 339\u2013364. https:\/\/doi.org\/10.1080\/10609160903336150<\/a><\/p>\n

Note:\u00a0Addresses the collecting of textiles within the larger frame of art collecting in colonial Peru, and considers as an example a tapestry made for the rebel leader T\u00fapac Amaru II.<\/td>\n

Database: Taylor & Francis Online<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
24<\/td>\n\n

Stone, Rebecca R. \u201c\u2018And All Theirs Different From His\u2019: The Dumbarton Oaks Royal Inka Tunic in Context.\u201d In Variations in the Expression of Inka Power: A Symposium at Dumbarton Oaks, 18 and 19 October 1997<\/em>, edited by Richard Burger, Craig Morris, and Ramiro Matos, 385\u2013422. Washington, DC: Dumbarton Oaks, 2007.<\/p>\n

Note:\u00a0Article considering the Inca royal tunic with allover tocapu patterning. Establishes that this tunic type was reserved for the Inca ruler.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
25<\/td>\n\n

Zuidema, R. Tom. \u201cGuaman Poma and the Art of Empire: Toward an Iconography of Inca Royal Dress.\u201d In Transatlantic Encounters: Europeans and Andeans in the Sixteenth Century<\/em>, edited by Kenneth J. Andrien and Rolena Adorno, 151\u2013202. Berkeley: University of California Press, 1991.<\/p>\n

Note:\u00a0An interesting argument for the symbolic meaning and political significance attached to uncus depicted in the drawings by the native chronicler Guaman Poma de Ayala. Sections include discussions of design layout, ancestral and calendrical elements, and tunics connected with specific rituals and ceremonies. Also treats the continuing significance of uncus in the colonial Andes.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
<\/td>\n\u00a0Religious Artwork (Primary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
26<\/td>\n\n

Selections from Cambios: The Spirit of Transformation in Spanish Colonial Art<\/em>. Gabrielle Palmer and Donna Pierce, essays. Albuquerque: Santa Barbara Museum of Art, University of New Mexico Press, 1992. (pp. 24 – 72)<\/p>\n

a) Plate 11 Our Lady of Copacabana (page 32)
\nb) Plate 15 The Immaculate Conception (page 34) from the School of Diego Quispe Tito
\nc) Plate 23 Santa Rosa de Lima (page 41)<\/td>\n

Image folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
27<\/td>\nCollao School, Virgin of the Assumption.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
28<\/td>\nCorpus Christi Procession, Parish of San Crist\u00f3bal, ca. 1680. Museo de Arte Religioso, Cuzco, Peru. Vistas: Visual Culture in Spanish America, 1520-1820. https:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/corpus_chrsiti_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1700<\/a> [new]<\/td>\nWebsite: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
29<\/td>\n\n

Cuzco School<\/p>\n

a) Christ Carrying the Cross with the Virgin and Angels
\nb) Our Lady of Cocharcas, under the Baldachin<\/td>\n

\n

Image folder<\/a> (UCI login required)<\/p>\n

Our Lady image also on Vistas<\/a> and on Artstor<\/a> (On-campus or VPN access required)<\/td>\n<\/tr>\n

30<\/td>\nLake Titicaca School, Virtue with Veronica\u2019s Tail.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
31<\/td>\nLima School, Virgin as Pilgrim.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
32<\/td>\nPlate 6. The Path to Heaven, Church of San Pedro Ap\u00f3stol de Andahuaylillas, ca. 1620s. \u24d2 Pilar Rau. From: Ananda Cohen Suarez, Heaven, Hell, and Everything in Between: Murals of the Colonial Andes<\/em>. Austin: University of Texas Press, 2016. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=4770545 <\/a><\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
33<\/td>\nPlate 19. Baptism of Christ, mural painting, Church of San Miguel de Pitumarca, late eighteenth century. Photo by author. From: Ananda Cohen Suarez, Heaven, Hell, and Everything in Between: Murals of the Colonial Andes<\/em>. Austin: University of Texas Press, 2016. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=4770545 <\/a><\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
34<\/td>\nPlate 21. The Path to Heaven and Hell, basement mural in the Celda Salamanca of the Convento de La Merced, Cuzco, eighteenth century. Photo by Ananda Cohen-Aponte. From: Ananda Cohen Suarez, Heaven, Hell, and Everything in Between: Murals of the Colonial Andes<\/em>. Austin: University of Texas Press, 2016. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=4770545 <\/a><\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
35<\/td>\nPlate 23. Tadeo Escalante, Hell, mural painting, Church of San Juan Bautista de Huaro, 1802, \u24d2 Pilar Rau. From: Ananda Cohen Suarez, Heaven, Hell, and Everything in Between: Murals of the Colonial Andes<\/em>. Austin: University of Texas Press, 2016. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=4770545\u00a0<\/a><\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
36<\/td>\nVirgin of the Mountain of Potos\u00ed, 1720. Museo Nacional de Arte, La Paz, Bolivia. Vistas: Visual Culture in Spanish America, 1520-1820.
\nhttps:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/virgin-moutain_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1924<\/a> [new]<\/td>\n		Website: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
<\/td>\nReligious Artwork (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
37<\/td>\nCohen Suarez, Ananda. Heaven, Hell, and Everything in Between: Murals of the Colonial Andes<\/em>. Austin: University of Texas Press, 2016. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=4770545<\/a><\/td>\nProQuest EBook Central<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
38<\/td>\n\n

Cohen Suarez, Ananda.\u00a0Humanities Core Friday Forum.\u00a0<\/em>18 January 2018.<\/p>\n

Note: Dr. Cohen-Aponte was a guest speaker in Humanities Core last year and discussed the religious murals from colonial churches around Cuzco. This lecture may be cited as a secondary source.<\/td>\n

Google Drive<\/a> (UCI login required)<\/td>\n<\/tr>\n
39<\/td>\nCummins, Tom. \u201cImages for a New World.\u201d In The Virgin, Saints, and Angels: South American Paintings 1600\u20131825 from the Thoma Collection<\/em>, edited by Suzanne Stratton Pruitt, 13\u201317. Milan: Skira, 2006.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
40<\/td>\n\n

Damian, Carol. The Virgin of the Andes: Art and Ritual in Colonial Cuzco<\/em>. Miami Beach: Grassfield Press, 1995<\/p>\n

Note: A finely illustrated book using statue paintings of the Virgin Mary to argue that in the colonial Andes the Virgin was understood as a manifestation of the Inca earth goddess Pachamama.<\/td>\n

On reserve at Langson Library
\nND417.C8 D36 1995<\/td>\n<\/tr>\n
41<\/td>\n\n

Dean, Carolyn. Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru<\/em>. Durham, N.C.: Duke University Press, 1999. ProQuest EBook Central\u00a0https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=3007824<\/a><\/p>\n

Note: Discusses religious paintings created in the colonial period. Useful for analysis of Inca motifs, especially animals (monkeys, parrots, llamas, etc.).<\/td>\n

\n

ProQuest Ebook Central<\/a> (On-campus or VPN access required)<\/p>\n

Also on reserve at Langson Library
\nGT4995.C6 D43 1999<\/td>\n<\/tr>\n

42<\/td>\nDuffy-Zeballos, Lisa. \u201c\u2018And my sheep know me\u2019: Colonial Transformations of the Divina Pastora de las Almas in the Art of the New World.\u201d In Art in Spain and the Hispanic World: Essays in Honor of Jonathan Brown<\/em>, edited by Sarah Schroth and Jonathan Brown, 413-436. London: Paul Holberton, 2010.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
43<\/td>\nDuncan, Barbara. \u201cStatue Paintings of the Virgin.\u201d In Gloria in Excelsis: The Virgin and Angels in Viceregal Painting of Peru and Bolivia<\/em>, edited by Barbara Duncan et al., 32-57. New York: Center for Inter-American Relations, 1986.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
44<\/td>\nGraziano, Frank. Wounds of Love: The Mystical Marriage of Saint Rose of Lima<\/em>. New York: Oxford University Press, 2004.<\/td>\nOn reserve at Langson Library
\nBX4700.R6 G73 2004<\/td>\n<\/tr>\n
45<\/td>\n\n

Kagan, Richard L. Urban Images of the Hispanic World 1493\u20131793<\/em>. New Haven, CT: Yale University Press, 2000.<\/p>\n

Note: Considers cityscapes from throughout colonial Latin America in relation to Spanish imperial aims. Includes sections on painted images of the cities of Lima, Cusco, and Potos\u00ed. Refers directly to the Virgin of the Mountain of Potos\u00ed.<\/td>\n

On reserve at Langson Library
\nHT127.5 .K34 2000<\/td>\n<\/tr>\n
46<\/td>\n\n

Kaufmann, Thomas DaCosta. \u201cCultural Transfer and Arts in the Americas.\u201d In The Virgin, Saints, and Angels: South American Paintings 1600\u20131825 from the Thoma Collection<\/em>, edited by Suzanne Stratton Pruitt, 19\u201325. Milan: Skira, 2006.<\/p>\n

Note: Excellent overview of the purposes and motives behind Colonial art.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
47<\/td>\n\n

Mills, Kenneth. \u201cReligious Imagination in the Viceroyalty of Peru.\u201d In The Virgin, Saints, and Angels: South American Paintings 1600\u20131825 from the Thoma Collection<\/em>, edited by Suzanne Stratton Pruitt, 27\u201339. Milan: Skira, 2006.<\/p>\n

Note: Excellent overview of the purposes and motives behind Colonial art.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
48<\/td>\n\n

Palmer, Gabrielle G. \u201cMestizaje: The Changing Face of Spanish Colonial Art in South America.\u201d In Cambios: The Spirit of Transformation in Spanish Colonial Art<\/em>, essays by Gabrielle Palmer and Donna Pierce, 14-23. Albuquerque: Santa Barbara Museum of Art, University of New Mexico Press, 1992.<\/p>\n

Note: Excellent overview of the purposes and motives behind Colonial art.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
49<\/td>\n\n

Phipps, Elena, Johanna Hecht, and Cristina Esteras Mart\u00edn. The Colonial Andes: Tapestries and Silverwork, 1530\u20131830<\/em>. New York: Metropolitan Museum of Art, 2004.<\/p>\n

Note: A text to accompany an exhibition at the Metropolitan Museum of Art with scholarly articles on the Inca past, colonial textiles, Peruvian silverwork, the transformation of the colonial Andean tapestry tradition, and more general articles on the transformation of Inca society under Spanish colonial rule.<\/td>\n

Google Books<\/a><\/td>\n<\/tr>\n
50<\/td>\nPotos\u00ed: Colonial Treasures and the Bolivian City of Silver<\/em>. New York: Americas Society Art Gallery in association with Fundaci\u00f3n BHN, La Paz, 1997.<\/td>\nOn reserve at Langson Library
\nN6647.P67 P6 1997<\/td>\n<\/tr>\n
51<\/td>\n\n

Rappaport, Joanne, and Tom Cummins. Beyond the Lettered City: Indigenous Literacies in the Andes<\/em>. Durham, NC: Duke University Press, 2012. ProQuest Ebook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=1172986<\/a><\/p>\n

Note: An anthropological and art historical consideration of the imposition of literacy on the Andean world, through which the authors consider not just alphabetic writing but visual communication and urban design. Questions how native Andeans engaged with European symbolic systems and altered their worldviews under Spanish colonial rule. Useful for analysis of heraldry (coats of arms) and murals.<\/td>\n

ProQuest Ebook Central<\/a>
\n(On-campus or VPN access required)Also on reserve at Langson Library
\nP94.65.A45 R37 2012<\/td>\n<\/tr>\n
52<\/td>\nSchrader, Jeffrey. \u201cThe House of Austria as a Source of Miraculous Images in Latin America.\u201d In Art in Spain and the Hispanic World: Essays in Honor of Jonathan Brown<\/em>, edited by Sarah Schroth and Jonathan Brown, 379-393. London: Paul Holberton, 2010.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
53<\/td>\n\n

Stanfield-Mazzi, Maya. Object and Apparition: Envisioning the Christian Divine in the Colonial Andes<\/em>. Tucson: University of Arizona Press, 2016.<\/p>\n

Note: Useful for analysis of Inca motifs.<\/td>\n

On reserve at Langson Library,\u00a0BOOK 3416<\/td>\n<\/tr>\n
<\/td>\nColonial Oil Portraiture (Primary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
54<\/td>\nPlate 53. Portrait of a Lady. In The Virgin, Saints, and Angels: South American Paintings 1600\u20131825 from the Thoma Collection<\/em>, edited by Suzanne Stratton Pruitt, 208-209. Milan: Skira, 2006.<\/td>\nImage folder<\/a> (UCI login required)<\/td>\n<\/tr>\n
55<\/td>\nPortrait of do\u00f1a Mariana Belsunse y Salasar, mid to late 18th c. Brooklyn Museum of Art, Brooklyn, USA. Vistas: Visual Culture in Spanish America, 1520-1820.
\nhttps:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/donamariana_detail.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1818<\/a> [new]<\/td>\n		Website: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
56<\/td>\nPortrait of a \u00d1usta, early 18th c. Museo Inka, Cuzco, Peru. Vistas: Visual Culture in Spanish America, 1520-1820. https:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/nusta_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1814<\/a> [new]<\/td>\nWebsite: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
57<\/td>\nUnion of the Inka royal family with the houses of Loyola and Borgia, 18th c. Museo Pedro de Osma, Lima, Peru. Vistas: Visual Culture in Spanish America, 1520-1820.
\nhttps:\/\/www.smith.edu\/vistas\/vistas_web\/gallery\/detail\/marriage-inka_det.htm<\/a> [old] https:\/\/vistasgallery.ace.fordham.edu\/items\/show\/1910<\/a> [new]<\/td>\n		Website: Vistas: Visual Culture in Spanish America, 1520-1820<\/a>.<\/td>\n<\/tr>\n
<\/td>\nColonial Oil Portraiture (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
59<\/td>\n\n

Nair, Stella. \u201cLocalizing Sacredness, Difference, and Yachacuscamcani in a Colonial Andean Painting.\u201d Art Bulletin<\/em> 89, no. 2 (2007): 211\u2013238. http:\/\/www.jstor.org\/stable\/25067315.<\/a><\/p>\n

Note: Discusses a painting depicting nobles of the town of Chinchero, Peru, and considers ways in which they distinguished themselves within a larger Christian identity. Useful for analysis of images of Corpus Christi processions.<\/td>\n

Database: JSTOR<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
60<\/td>\n\n

Rowe, John H. \u201cColonial Portraits of Inca Nobles.\u201d In The Civilizations of Ancient America: Selected Papers of the XXIXth International Congress of Americanists<\/em>, edited by Sol Taz, 258\u2013268. New York: Cooper Square, 1967.<\/p>\n

Note: The first study of the portraits of colonial period Inca nobles located in the Museo Inka in Cusco.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
61<\/td>\n\n

Stanfield Mazzi, Maya. \u201cCult, Countenance, and Community: Donor Portraits from the Colonial Andes.\u201d Religion and the Arts<\/em> 15, no. 4 (2011): 429\u2013459. http:\/\/search.ebscohost.com\/login.aspx?direct=true&db=asu&AN=64494984&site=ehost-live&scope=site<\/a><\/p>\n

Note: Article outlining the nature of donor portraits in colonial Peru and their background in European tradition. Analyzes a series of portraits depicting donors under the principal cult image of Cusco, the statue known as Christ of the Earthquakes.<\/td>\n

Database: Academic Search Complete<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
62<\/td>\nTimberlake, Marie. \u201cThe Painted Colonial Image: Jesuit and Andean Fabrication of History in Matrimonio de Garc\u00eda de Loyola con Nusta Beatriz.\u201d Journal of Medieval and Early Modern Studies<\/em>, 29, no. 3 (1999): 563-598.<\/td>\nPDF provided<\/a> (@uci.edu login required)<\/td>\n<\/tr>\n
63<\/td>\n\n

Timberlake, Marie. \u201cThe Painted Image and the Fabrication of Colonial Andean History: Jesuit and Andean Visions in Conflict in Matrimonio de Garc\u00eda de Loyola con \u00d1usta Beatriz.\u201d PhD diss., University of California, Los Angeles, 2001.<\/p>\n

Note: The first in-depth study of one of the most emblematic works of the Cusco School, the painting installed in the Jesuit main church in Cusco and depicting the marriage of Mart\u00edn Garc\u00eda de Loyola, a nephew of St. Ignatius Loyola, to Beatriz Clara Coya \u00d1usta, the most legitimate surviving member of the Inca royal line.<\/td>\n

ProQuest database<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
\u00a064<\/td>\nWuffarden, Lu\u00eds Eduardo. \u201cPortrait of a Nusta\u201d In The Colonial Andes: Tapestries and Silverwork, 1530-1830<\/em>, edited by Elena Phipps, Johanna Hecht and Cristina Esteras Mart\u00edn, 160-163. New York: Metropolitan Museum of Art, 2004.<\/td>\nGoogle Books<\/a><\/td>\n<\/tr>\n
<\/td>\nFurther References on Art and Objects in the Colonial Period<\/td>\nAccess<\/td>\n<\/tr>\n
65<\/td>\n\n

Bailey, Gauvin Alexander. Art of Colonial Latin America<\/em>. London: Phaidon, 2005.<\/p>\n

Note: Bailey takes a thematic approach in his text, with the first two chapters treating the encounter between the natives and Europeans and native artistic responses to Spanish colonialism.<\/td>\n

On reserve at Langson Library
\nN6502.2 .B35 2005<\/td>\n<\/tr>\n
66<\/td>\n\n

Donahue Wallace, Kelly. Art and Architecture of Viceregal Latin America, 1521\u20131821<\/em>. Albuquerque: University of New Mexico Press, 2008. ProQuest EBook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=1104397<\/a><\/p>\n

Note: The first three chapters of this textbook consider 16th-century Mexico and Peru, focusing on architecture, sculpture, painting, and urban planning from both the native and Spanish perspective.<\/td>\n

\n

ProQuest EBook Central<\/a> (On-campus or VPN access required)<\/p>\n

Also on reserve at Langson Library
\nN6502.2 .D66 2008<\/td>\n<\/tr>\n

67<\/td>\n\n

Engel, Emily A. \u201cVisualizing a Colonial Peruvian Community in the Eighteenth- Century Paintings of Our Lady of Cocharcas.\u201d Religion & the Arts<\/em> 13, no. 3 (2009): 299\u2013339. http:\/\/search.ebscohost.com\/login.aspx?direct=true&db=a9h&AN=43568422&site=ehost-live&scope=site<\/a><\/p>\n

Note: An article centered on a popular subvariant of the statue painting works that depict Our Lady of Cocharcas, a miraculous statue from Apurimac, Peru, enshrined on a baldachin and set within the outdoor landscape of the town of Cocharcas.<\/td>\n

Database: Academic Search Complete<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
68<\/td>\n\n

Katzew, Ilona, ed. Contested Visions in the Spanish Colonial World<\/em>. Los Angeles: Los Angeles County Museum of Art, 2011.<\/p>\n

Note: The exhibition and associated catalogue consider how indigenous peoples were represented in colonial art, by themselves and by others. Includes images of a range of colonial materials, including codices, feather works, queros, and textiles.<\/td>\n

On reserve at Langson Library
\nN6502.2 .K38 2011<\/td>\n<\/tr>\n
69<\/td>\n\n

Okada, Hiroshige. \u201cInverted Exoticism? Monkeys, Parrots, and Mermaids in Andean Colonial Art.\u201d In The Virgin, Saints, and Angels: South American Paintings 1600\u20131825 from the Thoma Collection<\/em>, edited by Suzanne Stratton Pruitt, 66\u201379. Milan: Skira, 2006.<\/p>\n

Note: Okada critiques the traditional reading of exotic images in Andean painting as elements of indigenous resistance, and sees such images as borrowed from European stereotypes of the exotic. Useful for analysis of animal motifs.<\/td>\n

PDF provided<\/a><\/td>\n<\/tr>\n
<\/td>\nColonial Chronicles (Primary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
70<\/td>\n\n

Betanzos, Juan de. Narrative of the Incas<\/em>. Translated and edited by Roland Hamilton and Dana Buchanan. Austin: University of Texas Press, 1996.<\/p>\n

Note: An early Spanish settler\u2019s account of Inca history as told to him by his Inca wife, mother-in-law, and other female relatives. The Spanish conquest is treated in the last chapters.<\/td>\n

On reserve at Langson Library
\nF3429 .B5413 1996<\/td>\n<\/tr>\n
71<\/td>\nCieza de Le\u00f3n, Pedro de, 1518-1554. The Seventeen Years Travels of Peter de Cieza Through the Mighty Kingdom of Peru, and the Large Provinces of Cartagena and Popayan in South America: …<\/em> Now first translated from the Spanish, and illustrated Published London : printed in the year, 1709. Gale Eighteenth-Century Collections. http:\/\/antpac.lib.uci.edu\/record=b3683094~S7.<\/a><\/td>\nE-book collection: Gale Eighteenth-Century Collections<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
72<\/td>\n\n

Cobo, Bernab\u00e9. History of the Inca Empire: An Account of the Indians\u2019 Customs and Their Origin, Together with a Treatise on Inca Legends, History, and Social Institutions<\/em>. Translated and edited by Roland Hamilton. Texas Pan American series. Austin: University of Texas Press, 1979.<\/p>\n

Note: The Spanish Jesuit Bernab\u00e9 Cobo was an acute observer of society and nature. This account of the history of the Inca Empire is based on his personal investigations and documents and chronicles by other authors to whom he had access. Many observations and opinions about colonial Indians are scattered in this history of the Incas.<\/td>\n

On reserve at Langson Library
\nF3429 .C5813<\/td>\n<\/tr>\n
73<\/td>\nde la Vega, Garcilaso, El Inca. Royal Commentaries of the Incas, and General History of Peru<\/em>. Vol. 2. Translated by Harold V. Livermore. Austin: University of Texas Press, 1987. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.02750.0001.001.<\/a><\/td>\nACLS Humanities e-book<\/a>. (On-campus or VPN access required)<\/td>\n<\/tr>\n
74<\/td>\n\n

de Z\u00e1rate, Agustin. The discovery and conquest of Peru; a translation of Books I to IV of Agust\u00edn de Z\u00e1rate’s history of these events, supplemented by eye-witness accounts of certain incidents by Francisco de Jerez, Miguel Estete, Juan Ruiz de Arce, Hernando Pizarre [sic], Diege [sic] de Trujillo, and Alonso de Guzman, who took part in the conquest, and by Pedro Cieza de Le\u00f3n, Garcilaso de la Vega ‘the Inca, ‘ and Jos\u00e9 de Acesta, later historians who had first hand sources of information<\/em>. Baltimore: Penguin Books, 1968.<\/p>\n

Note: Originally published in Antwerp in 1555, and first translated into English in 1581. Z\u00e1rate was not a conquistador, but he was in Peru by the early 1540s and had close contact with Gonzalo Pizarro and other prominent figures.<\/td>\n

On reserve at Langson Library
\nF3442 .C73 1968<\/td>\n<\/tr>\n
75<\/td>\nGuaman Poma de Ayala, Don Felipe. The First New Chronicle and Good Government: On the History of the World and the Incas up to 1615<\/em>. Translated and edited by Roland Hamilton. Austin: University of Texas Press, 2009.<\/td>\nProquest E-Book Central<\/a>
\n(On-campus or VPN access required)Also on reserve at Langson Library
\nF3429.G8 G82513 2009For images, see Royal Library<\/a> website. For the image “The Author Inquires,” see also Vistas website<\/a>.<\/td>\n<\/tr>\n
76<\/td>\nJes\u00fas, Ursula de. The Souls of Purgatory: The Spiritual Diary of a Seventeenth-Century<\/em>
\nAfro-Peruvian Mystic, Ursula de Jes\u00fas<\/em>. Edited and translated by Nancy E. van Deusen. Di\u00e1logos. Albuquerque: University of New Mexico Press, 2004.Note: An unusual and complex primary source (in Spanish and English), written by a formerly enslaved woman of African descent attached to a convent in 17th-century Lima. Ursula de Jes\u00fas was widely known for her visions of men and women who visited her from purgatory, and the text comments on their experiences and her life in the convent and offers a free black woman\u2019s thoughts about race.<\/td>\n		On reserve at Langson Library
\nBX4705.J47 A3 2004<\/td>\n<\/tr>\n
77<\/td>\nMarkham, C.R. ed. Reports on the Discovery of Peru<\/em>, edited and translated by C.R. Markham. Includes accounts by Francisco Jerez, Miguel de Estete, Hernando Pizarro, Pedro Sancho (London: 1872). Works issued by the Hakluyt Society, no. 47.<\/td>\n\n

E-book of reprint on Archive.org<\/a><\/p>\n

See also e-book of Jerez’\u00a0True Account of the Conquest of Peru<\/em> EBSOhost Ebooks<\/a><\/td>\n<\/tr>\n

78<\/td>\nMur\u00faa, Mart\u00edn de. General History of Peru<\/em>. In Voices from Vilcabamba: Accounts Chronicling the Fall of the Inca Empire<\/em>. Edited by Brian S. Bauer, Madeleine Halac-Higashimori, and Gabriel E. Cantarutti. Boulder: University Press of Colorado, 2016.<\/td>\nOn reserve at Langson Library
\nF3429.1.V48 B283 2016 For images by Mart\u00edn de Mur\u00faa, see the Getty website<\/a>
\nand Vistas website<\/a>.<\/td>\n<\/tr>\n
79<\/td>\n\n

Pizarro, Pedro. Relation of the Discovery and Conquest of the Kingdoms of Peru<\/em>. Translated by Philip Ainsworth Means. New York : Kraus Reprint, 1969.<\/p>\n

Note: First published in a 1550 collection.<\/td>\n

On reserve at Langson Library
\nF3442 .P78 1969<\/td>\n<\/tr>\n
80<\/td>\n\n

Sarmiento de Gamboa, Pedro. History of the Incas<\/em>. Translated and edited by Brian S. Bauer and Vania Smith. Austin: University of Texas Press, 2007. ProQuest Ebook Central https:\/\/ebookcentral.proquest.com\/lib\/uci\/detail.action?docID=3443304 .<\/a><\/p>\n

Note: A history of the Incas commissioned by Peru\u2019s Viceroy Francisco de Toledo (1569\u20131580), meant to undermine indigenous claims of natural law sovereignty and therefore to justify the Spanish conquest.<\/td>\n

ProQuest Ebook Central<\/a>
\n(On-campus or VPN access required)Also on reserve at Langson Library
\nF3429 .S224 2007<\/td>\n<\/tr>\n
81<\/td>\nYupangui, Diego de Castro, Titu Cussi. History of How the Spaniards Arrived in Peru<\/em>. Translated, with an introduction, by Catherine Julien. Dual-language ed. Indianapolis: Hackett Pub. Comp., 2006.<\/td>\nOn reserve at Langson Library
\nF3442 .Y8513 2006<\/td>\n<\/tr>\n
<\/td>\nColonial Chronicles (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
82<\/td>\nAdorno, Rolena. Guaman Poma: Writing and Resistance in Colonial Peru<\/em>. 2d ed. Austin: University of Texas Press, 2000. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.03525.0001.001.<\/a><\/td>\nACLS Humanities e-book<\/a>.
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
83<\/td>\nAdorno, Rolena. Guaman Poma de Ayala: The Colonial Art of an Andean Author<\/em>. New York: Americas Society, 1992.<\/td>\nOn reserve at Langson Library, BOOK 3417<\/td>\n<\/tr>\n
84<\/td>\nCummins, Tom. \u201cImages on Objects: The Object of Imagery in Colonial Native Peru as Seen through Guaman Poma’s Nueva cor\u00f3nica i buen gobierno.\u201d Journal of the Steward Anthropological Society<\/em> 25, nos. 1 and 2 (1997): 237-76.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
85<\/td>\n\n

Julien, Catherine. Reading Inca History<\/em>. Iowa City: University of Iowa Press, 2000.<\/p>\n

Note: Julien questions the nature of Inca histories and argues that the Inca did have a historical consciousness. Focuses on Spanish language historical accounts and suggests that these were based on Inca sources. Through these sources, she tries to uncover Inca historic genres.<\/td>\n

On reserve at Langson Library
\nF3429 .J85 2000<\/td>\n<\/tr>\n
86<\/td>\n\n

Seed, Patricia. “Failing to Marvel”: Atahualpa’s Encounter with the Word.\u201d Latin American Research Review<\/em> 26, no. 1 (1991): 7-32. http:\/\/www.jstor.org\/stable\/2503763<\/a><\/p>\n

Note: Gives a critical account of the multiple meetings at Cajamarca in 1532 among the Spanish and the Inca.<\/td>\n

Database: JSTOR<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
87<\/td>\n\n

Zamora, Margarita. Language, Authority and Indigenous History in <\/em>Comentarios reales de los Incas. Cambridge, UK: Cambridge University Press, 1988. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.03626.0001.001<\/a><\/p>\n

Note: An intertextual study of Garcilaso de la Vega\u2019s history of the Inca as shaped by Renaissance humanism and the mestizo author\u2019s Christian beliefs.<\/td>\n

ACLS Humanities e-book<\/a>.
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
<\/td>\nFurther References on the Inca (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
88<\/td>\n\n

D\u2019Altroy, Terence N. The Incas<\/em>. Malden, MA: Blackwell, 2002.<\/p>\n

Note: The best concise overview of the Inca rise and fall by a veteran archaeologist, with concluding chapters on the conquest.<\/td>\n

On reserve at Langson Library
\nF3429 .D35 2002<\/td>\n<\/tr>\n
89<\/td>\nSilverblatt, Irene. Moon, Sun, and Witches: Gender Ideologies and Class in Inca and Colonial Peru<\/em>. Princeton: Princeton University Press, 1987. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.02797 <\/a><\/td>\nACLS Humanities e-book<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
<\/td>\nFurther References on Indigenous Andean People during Spanish Empire (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
90<\/td>\nAndrien, Kenneth J. Andean Worlds: Indigenous History, Culture, and Consciousness under Spanish Rule, 1532\u20131825<\/em>. Di\u00e1logos. Albuquerque: University of New Mexico Press, 2001.<\/td>\nOn reserve at Langson Library
\nF3429.3.G6 A67 2001<\/td>\n<\/tr>\n
91<\/td>\nStern, Steve J. Peru’s Indian Peoples and the Challenge of Spanish Conquest: Huamanga to 1640<\/em>. Madison, WI: University of Wisconsin Press, 1993.<\/td>\nOn reserve at Langson Library
\nF3429.1.A9 S75 1993<\/td>\n<\/tr>\n
92<\/td>\nTord, Luis Enrique. \u201cThe Viceroyalty of Peru, 1532-1825.\u201d In Gloria in Excelsis: The Virgin and Angels in Viceregal Painting of Peru and Bolivia<\/em>, edited by Barbara Duncan et al., 6-31. New York: Center for Inter-American Relations, 1986.<\/td>\nPDF provided<\/a><\/td>\n<\/tr>\n
<\/td>\nFurther References on the Spanish Empire in the Andes (Secondary Sources)<\/td>\nAccess<\/td>\n<\/tr>\n
93<\/td>\nFraser, Valerie. The Architecture of Conquest: Building in the Viceroyalty of Peru, 1535\u20131635<\/em>. New York: Cambridge University Press, 1990.<\/td>\nOn reserve at Langson Library
\nNA913 .F73 1990<\/td>\n<\/tr>\n
94<\/td>\nLamana, Gonzalo. Domination without Dominance: Inca-Spanish Encounters in Early Colonial Peru<\/em>. Durham, NC: Duke University Press, 2008.<\/td>\n\n

ProQuest EBook Central<\/a> (On-campus or VPN access required)<\/p>\n

Also on reserve at Langson Library F3429 .L17 2008<\/td>\n<\/tr>\n

95<\/td>\nLockhart, James. The Men of Cajamarca: A Social and Biographical Study of the First Conquerors of Peru<\/em>. Austin: University of Texas Press, 1972. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.02774.0001.001<\/a><\/td>\nACLS Humanities e-book<\/a>.
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
96<\/td>\nLockhart, James. Spanish Peru, 1532\u20131560: A Colonial Society<\/em>. Madison: University of Wisconsin Press, 1968. ACLS Humanities e-book. http:\/\/hdl.handle.net\/2027\/heb.05134.0001.001 <\/a><\/td>\nACLS Humanities e-book<\/a>.
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
97<\/td>\nMcKinley, Michelle A. Fractional Freedoms: Slavery, Intimacy, and Legal Mobilization in Colonial Lima, 1600\u20131700<\/em>. Cambridge, UK: Cambridge University Press, 2016. http:\/\/dx.doi.org\/10.1017\/CBO9781316718216<\/a><\/td>\nE-book collection: Cambridge Core<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n
98<\/td>\nO\u2019Toole, Rachel Sarah. Bound Lives: Africans, Indians, and the Making of Race in Colonial Peru<\/em>. Pittsburgh, PA: University of Pittsburgh Press, 2012.<\/td>\nProQuest Ebook Central<\/a>
\n(On-campus or VPN access required)Also on reserve at Langson Library F3429.3.G6 O9 2012<\/td>\n<\/tr>\n
99<\/td>\nVar\u00f3n Gabai, Rafael. Francisco Pizarro and His Brothers: The Illusion of Power in Sixteenth-Century Peru<\/em>. Translated by Javier Flores Espinoza. Norman: University of Oklahoma Press, 1997. EBSCO Online Monographs http:\/\/search.ebscohost.com\/login.aspx?direct=true&db=nlebk&AN=15694&site=ehost-live&scope=site<\/a><\/td>\nEBSCO Online Monographs<\/a>
\n(On-campus or VPN access required)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Last updated: 21 Jan 2019<\/small><\/p>\n

<< Back to Essay 3 Prompt<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

This bibliography of primary and secondary sources for Essay 3: Historical Analysis of an Andean Artifact was compiled by Professor Rachel O’Toole. While the sources have been categorized by primary source topic, you may want to word search the entire source guide for themes and motifs that cross genres (i.e., animals, Catholic iconography, etc.). Planning […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":6621,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"_links":{"self":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/6654"}],"collection":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/comments?post=6654"}],"version-history":[{"count":2,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/6654\/revisions"}],"predecessor-version":[{"id":6712,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/6654\/revisions\/6712"}],"up":[{"embeddable":true,"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/pages\/6621"}],"wp:attachment":[{"href":"https:\/\/core.humanities.uci.edu\/index.php\/wp-json\/wp\/v2\/media?parent=6654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}